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Why MUNSU representatives say CHMR should be cut

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After close to an hour of listening to the public plea to keep CHMR open, multiple MUNSU executives presented their own reasons as to why they believed the station needed to be cut.

HSS Representatives

Juairya Abdullah, an HSS rep for MUNSU, and a CUPE 4554 MUNSU employee addressed concerns from the community that taking away CHMR silences marginalized voices, saying “I hear a lot about black and brown and marginalized communities and how much this impacts them, and it almost comes off as little bit of, like, tokenization, as a brown, Muslim, international student.”

She also responded to some community criticisms of the 84 person survey.

She said “someone talked about going to the math society or the statistics department about doing a full survey with their cases… one of the biggest things about statistics, because I have a minor in statistics, is when you’re doing a survey, sometimes it’s not possible to get a whole sample of the population…”

“If your whole population is 11,000, you do a randomized sample to make sure you understand what it represents… because sometimes it’s not possible to do 11,000 members.”

Abdullah said a focus needs to go towards ensuring students needs are met “we’re in a recession right now. I care if someone gives me a $10 voucher to Sobeys, because that’s what’s gonna help me, because the first thing that I’m worried about is being able to make rent, if I’m able to make my tuition, if I’m able to eat properly.

“I feel like a lot of the times when the community speaks about like, well, ‘this is so important,’ of course it’s important, but you need to make sure students have the ability to live and get their actual needs met, and we’re not even able to meet their needs.”

Finally, one other point made by Abdullah was ensuring MUNSU was being smart with its money.

“I’m a student, and I care about where my $51 that I give every semester goes, and, when I know that I’m giving this $51 to the university, that I worked blood sweat and tears for… I know when it goes to help [students].”

“I would love for us to be able to fund everything… I’ve seen over the last to years that I’ve been working here, some people talk about free meal [plans]… that’s what students need.”

Another HSS rep, Hasan Habib, responded to claims that CHMR creates job opportunities for art students.

“I think it’s rather unfair to talk about student employment while not having students as full-time employees in CHMR. To the best of my knowledge, the employment option that CHMR offers to undergrads are, if I’m not mistaken, mostly MUCEPs and ISWEPs, and for those who don’t know, MUCEPs and ISWEPs pay at most around $1,500 a semester. It would perhaps be better to talk about equity and employment for arts students after such concerns within the CHMR structure is addressed.”

He also gave a response to CHMR’s station manager Rhea Rollman, who called out MUNSU for its $1 million loan to renovate the Breezeway.

He said “the Breezeway offers an amazing service, if you simply ask a student they’ll tell you that… they offer an amazing service as a venue for socialization, events, and a place to get drunk after 5pm classes, which I think it quite important for students, especially if they want to maintain a regular type of life… I think it would be quite unwise, in my opinion, to dunk on services that the student body uses regularly in order to get by their day-to-day lives.”

Business Representative

One of MUNSU’s business representatives, Jordan Dean, created the following visual:

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(Jordan Dean/MUNSU).

Dean said “MUN provides different services. These are the seven main services, and the other category was too small to really mention. There’s a deficit… it is a big deficit. This is our pie, and 32% of it needs to go based on 2024 numbers, and that’s just to balance the budget.”

He continued “if you’ve got to cut 32.3% of this pie out, you can’t do that do that without reducing funding to the radio station.”

“I have spoken to many business students and other students over the past week and a half and unfortunately many are unaware of the service [CHMR], and I have to explain the whole situation because they’re just completely unaware. So that’s my stance, at least for the business faculty and business students, it’s not a service we use.”

Executive Director of Finance

MUNSU’s finance executive spoke about the Union’s current financial situation.

He said “thank you for the overwhelming support for CHMR. It means so much to me to see so much outpouring of love and support for CHMR. When I was elected into this role, MUNSU was in free fall. It still is. Right now we are at a juncture where, like, over next year, actually, if we don’t find a way to break even, then we will have to take out a loan, and then we all know how that path goes. We have another union on campus and we are all seeing what they are going through.”

“So, I have two choices, which is: do something now, or let this organization, the MUN Students Union, face bankruptcy in the next 2-3 years. This decision is not light at all, as the Executive Director of Finance and Services, I was elected to look over the finances of our services, but also the long term financial stability of the Union… and we don’t have anywhere else to go for our funding… our only source of revenue is student funds and our businesses. That’s it.”

Executive Director of External Affairs

MUNSU’s Director of External Affairs said “I fully understand the sentiment of someone on the board of CHMR who may have felt blindsided by this. But I mean, I think it’s really important to emphasize at the same time, because we have unionized staff members, that our consultation obligations would be an inappropriate space to talk about future jobs within that space.”

Many referred to a five-year plan CHMR originally proposed to MUNSU (Rollman also proposed a one-year plan on multiple occasions at the meeting). Gillingham’s response was “it does appear that we don’t really have time, and I think that’s what’s heaviest about this conversation. Our accountant had flagged just a couple of months ago that our bank account was getting so low that we might not even had enough money to pay our staff. That’s a dire condition. It causes a lot of stress amongst many of the current staff here as well.”

Student Life

MUNSU’s Director of Student Life didn’t actually speak during the public forum, but took to an Instagram comment section a day later, where he posted “I am seeing a lot of comments but not many from current students actually paying for this service. CHMR ran a community fundraiser and received a little over $300… If all the media and alumni in these comments who said they support CHMR put their money where their mouth is the union might not have had to make this decision.

Responding to another comment, Colbran said “I don’t think it’s anyone’s “fault”. The cost has grown and the money from enrollment is down. The funds must come from somewhere. I am not expecting the community to fund CHMR but students shouldn’t either (as I see being suggested).”

The comments, emails and responses I am seeing are clearly placing blame on the students who voted for the station’s closure as a MUNSU service. If they choose to place blame it also has to lie with the people who use the service without contributing. The fact of the matter is most students do not use the radio station – out of 11,000 students don’t you think more than 60 (not all of those were in support of the CHMR either btw) would have responded?”

“The students I have talked to all said they don’t use it and don’t understand why we are spending $300,000 on it. I do believe the motion passed on what the vast majority of students would have wanted. I would absolutely support a referendum to increase funding, let the students decide.”

Farhan Probandho, MUNSU’s director of finances, called out his colleague on the same Instagram post, and the two had a back and forth in the comments.

MUNSU announces results of 2026 General Election

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The results of the MUNSU general election were announced this evening, April 2nd amid more than 10 vacant positions and 12 uncontested. These vacancies were:

  • Indigenous Rep
  • Music Rep
  • Burton’s Pond
  • MacPherson College
  • Trans Rep
  • Queer Rep
  • Medicine Rep
  • HKR Rep
  • HSS Reps
  • Eng Rep A
  • Pharmacy Rep

The results of the filled positions are as follows:

Students with Disabilities Representative

Julia Crocker: 276

Jane Meadus: 220

Women Students’ Representative

Hailey Cooke: 480 Yes , 45 No

Education Students’ Representative

Rachel Snow: 27 Yes , 0 No

Nursing Students’ Representative

Winner Nwachukwu: 63 Yes , 7 No

Social Work Students’ Representative

Halie Hindy: 51 Yes , 4 No

Engineering Students’ Representative B

Aayushman Srivastavah: 51 Yes , 4 No

Center for Nursing Studies Representative

Chioma Ehigie: 386 Yes , 57 No

Business Students’ Representative

Shadman Kabir: 92 Yes , 22 No

Science Representative’s (3)

Md Abdullah Al Saikat: 162 Yes , 28 No

Blessing Agu: 155 Yes , 37 No

Sheikh Mahdi Mansib Zion: 158 Yes , 27 No

Black Students’ Representative

Joy Olabode-Daniels: 478 Yes , 49 No

International Student Representative

Swacha Mallik: 481 Yes , 64 No

Executive Director of Campaigns

Rana Abuidris: 450 Yes , 120 No

Executive Director of Finance

Nathan Gillingham: 312

Isfak Ahmed Nehal: 169

Shokry Ahmed (Ziad): 120

Executive Director of Advocacy

Sanaa Mrad: 502 Yes , 72 No

Executive Director of Student Life

Blake Colbran: 480 Yes , 85 No

Executive Director of External Affairs, Communications & Research

Kazi Taqi Yeasir: 344

Stephen Ehigie: 266

MUNSU board votes to cease funding CHMR

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In an in-camera session, MUNSU Board of Directors voted to cease funding to CHMR. By June 1st MUNSU employees assigned to CHMR “shall no longer spend their paid working time on broadcasting” according to the motion passed at the April 1st meeting.

A previous version of the motion was ruled out of order by Board of Directors Chair Mackenzie Broders because it included MUNSU taking over the $2 per semester student-levy that partly funds CHMR.

The motion that passed says that the “levy will continue to be collected and remitted in accordance with existing referenda and bylaws.”

At the meeting, MUNSU Executive Director of External Affairs Nathan Gillingham said that they need to make cuts to address their deficit of nearly $300,000, and that if the financial situation does not improve at the student union, it will face bankruptcy.

Station Manager Rhea Rollman says she’s seen MUNSU in debt before, and has come back from it by making a longterm plan. “As someone who’s worked here for 20 years, I can guarantee without a shadow of a doubt MUNSU is not going bankrupt anytime soon.”

She says that when she was on the board of MUNSU it was in a worse financial position, and got through it by limiting spending and making a multi-year plan.

Rollmann says that back in December, she had approached the MUNSU board with a five year plan for independence from funding from the Student Union. She says this was rejected by the executive.

At the meeting, Rollmann instead asked for a one-year continuation of funding as the station prepares for independence. This was not granted.

Community support

In the past week, a massive wave of support at local, provincial, and national levels came in favour of keeping CHMR funded. People such as former Open Line host Paddy Daly, CBC’s Tom Power, OZ FM’s Hugh Campbell, musicians and more called for MUNSU to keep the station operational.

Before the in-camera session, community members were invited to the MUNSU meeting and were given the opportunity to publicly discuss their thoughts on MUNSU’s decision to potentially shut down CHMR, including a number of current undergraduate students.

About 140 members of the community and students attended the meeting virtually.

‘Taking away marginalized voices’

One of the biggest concerns mentioned at the meeting was the fact that taking away the campus radio station would be taking a voice away from marginalized people.

Sarojini Ramnarine-Lang says she has been hosting a show at CHMR for nine years.

She said “I have given my time to CHMR and see CHMR shut down, you’re gonna have something else coming to you… I have hosted consistently black history month, women’s history month, the Islamic functions, the Hindu functions, the Buddhist functions and more.

If you shut down CHMR I want you to write to me and tell me who is gonna be the voice of black, Indigenous and people of colour community on campus.”

Greg O’Grady, Chair of the Newfoundland and Labrador stuttering association said that hosting his own show at CHMR helped both him and the rest of the stuttering community in St. John’s find their voices.

This was arguably the biggest concern brought up at the meeting. Almost everyone who spoke was worried about the potential of taking voices away from marginalized communities, including undergraduate student Drake Rose, who said “you have several voices within students that are not often represented. I know for sure there are some people who come from Ukraine, Malaysia, Bangladesh that currently have shows at the station.”

‘MUNSU only surveyed 84 people’

Many people were critical of the survey handed out by MUNSU that saw only 84 people respond.

Jeff Rose-Martland was said “you’ve conducted a straw pole of 84 people, and you’re basing this decision on such a low sample, for such a large population… If you’re going to shut down the station, you need to consult the students, and if your justification is nobody’s listening, you need to be able to show that, and 84 people doesn’t do it.”

Kody Gardner, the stations technical director said “I think it’s such an injustice to pull 84 people and make a decision on closing or, you know, removing the funding from CHMR. I can’t imagine making a decision this big with 84 people.”

‘Importance in arts community’

Many in the arts community stressed the importance of CHMR in promoting stuff within the arts.

Cullam Lockhart, a member of the arts community and MUN alum, said “I understand that in a modern era, a lot of things like radio are less relevant because there’s Facebook now.”

“But the fact is, as someone who is very involved in theatre and trying to get these things out, things like Facebook, Instagram and social media are not working very well for these community outreach programs anymore. It’s being replaced with a lot more algorithmic content.”

Brad Mercer said “I want the MUNSU executive to consider that, you know, this is not a decision you want to have associated with your reputation. If you ever want to have a future claiming you support the arts, that you support the growth of artists, that you support the growth of a local or artistic community. This is not a decision you want to have associated with you. I really want you to think about it and consider it.

‘Importance for future journalists’

A lot of people highlighted the importance CHMR has for honing the skills of future journalists and giving them job opportunities.

VOCM’s Russell Bowers was in attendance, and he says he got a job at VOCM less than a year after starting at CHMR, crediting the campus station for giving him that opportunity.

MUN undergraduate student Gracie Gallant, who hopes to get into radio in the future said “I was genuinely so confident CHMR was going to be the reason that I could have a career in radio after graduating MUN… I think to get rid of such a vital community and training ground for prospective journalists at MUN and other creative minds would be just such a deeply felt mistake for years to come.”

The future of CHMR is still uncertain, as the motion passed does not preclude the station to continue independently.

CORRECTION: A previous version of this article said it was a unanimous vote. This is incorrect. We have since been informed that there was one vote opposed.

MUNSU executive responds to motion of reprimand

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MUNSU’s Director of Campaigns, Rana Abuidris faces a motion of reprimand that alleges shortcomings in her role this past semester. Notice was given at the last MUNSU meeting, and is on the agenda for the April 1st meeting.

The motion, moved by Farhan Probandho, alleges that Abuidris has been present in-person for less than 20% of the semester. MUNSU allows Executives to work, at maximum, seven hours from home per week. For reference, the executive positions are full-time positions, for a total of 35 hours per week.

It also alleges she has been absences at meetings, and has had a lack of communications with other members of MUNSU.

It alleges that Abuidris has used her MUNSU credit card for personal expenses, that her expense reports in both January and February were rejected, and that her card was deactivated on March 9th.

Motion

The motion calls for Abuidris to be suspended for four weeks without pay.

Abuidris responds

We reached out to Abuidris for comment, and this is what she had to say.

“I want to begin by acknowledging the importance of accountability within the Students’ Union, and I appreciate that this process reflects a commitment to transparency and responsibility to students.”

“However, I do not believe this motion reflects the full context of my role or the work I have delivered throughout my term.”

Abuidris said that the Director of Campaigns position is “largely external, independent, and structurally unsupported.”

She said that she spent significant time on events over the past year, such as the Day of Action and Black History Month, while also engaging with university admin on issues such as unpaid work terms and tuition costs, as well as communicating with government officials.

She said she “formally raised concerns regarding communication, process, and lack of structural support within the environment, including the need for additional staff such as an HR or harassment-related process.”

She told us about the feeling of isolation that comes with being the only woman on the MUNSU Executive.

“Those concerns were not addressed in a meaningful way,” said Abuidris.

“I recognize that my in-office presence has not always been consistent,” said Abuidris. “However, reducing the work of this role to physical presence alone does not accurately reflect how campaigns are built, relationships are maintained, or outcomes are achieved.”

“This motion focuses on operational gaps without fully accounting for the conditions that created them.”

Abuidris told us that she “remains committed to improving [her] administrative processes.”

Abuidris is seeking re-election as Director of Campaigns for the 2026-27 university year.

MUNSU to hold ‘in-camera’ meeting on CHMR following community statements

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MUNSU Executive Director of External Affairs Nathan Gillingham says that the executive will motion to go in-camera at its April 1st board meeting, closing the decision-making process on CHMR to the public.

The first section of the meeting will be open to the public to give statements on CHMR. There has been a massive wave of support from the community in favour of keeping CHMR open in the past week.

According to MUNSU’s Instagram post the meeting has been moved online because due to “inclement weather.”

Gillingham says that because meeting will focus on the distribution of documents to Board members relating to employee-employer confidentiality, including CUPE 4554 (Canadian Union of Public Employees local that represents MUNSU staff) correspondence, and collective bargaining matters.

“Our Collective Agreement outlines the Board of Directors as the employer of our unionized staff. Any matter the Board considers relating to this jurisdiction would be best practice as a closed session in order to be in full compliance with labour laws and our expectations as the employer,” says Gillingham.

According to Gillingham, CUPE members will be allowed to attend the closed portion of the meeting. Rhea Rollmann, Station Manager of CHMR tooked to the Instagram comments to express her disapproval of the intention to close the meeting to the public.

“Why is there a closed session with CUPE 4554 members? As a CUPE 4554 member I think it’s really important the debate/discussion be public for all students to watch. CUPE has nothing to hide, why does MUNSU want this session to be secret? “There’s nothing confidential here and students deserve transparency. As a CUPE member I seriously object to the secrecy and really don’t feel comfortable with a secretive closed session, important discussions like this deserve to be made publicly and transparently. Students deserve to see and hear how their elected reps represent them.”

Gillingham says that any decisions made during the meeting will be further communicated in a press conference on April 2nd.

Local and national community show support for CHMR

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From radio personalities, to popular musicians, many have voiced their support towards CHMR over the last couple weeks after it was announced that MUNSU would be voting on its future April 1st.

Here’s a list of some people and organizations that have come out in support of the campus radio station.

Sandy Morris – Musician

One of the provinces most respected musicians and composer of the popular theme song to the television series Land and Sea, Sandy Morris, voiced his support for CHMR.

Morris credits the station as a positive resource in his career.

Tom Power – CBC

Host of the popular radio show “Q,” Tom Power got his start at Memorial University’s radio station.

He credits the station for helping him learn the basics of radio, which have helped him in his professional broadcasting career today.

Kelly McMichael – Musician

Winner of the 2025 MusicNL Album of the Year award, Kelly McMichael believes closing the station would be a mistake.

She says that CHMR is important in building and connecting listeners with the culture of this province.

Paddy Daly – Former Open Line Host

The former host of VOCM’s Open Line, Paddy Daly, one of the provinces most popular radio shows, credits CHMR as the catalyst for developing his skills in radio.

Daly says CHMR remains “an important piece of the music/media community of the entire province.”

Newfoundland and Labrador Federation of Labour

Representing over 70,000 workers across the province, the Newfoundland and Labrador Federation of Labour are “proud to add our voice the growing chorus of workers, faculty, students, alumni, and artists fighting to save CHMR.”

The union believes shutting down CHMR would be a loss for both the community and the culture of the province.

54-40 – Band

Vancouver based band 54-40, best known for their songs I Go Blind and Ocean Pearl, voiced their support for the campus radio station.

While they think FM radio needs to “adapt in terms of technology and market approach,” they state the station still serves as “a voice for those who don’t have one, like Indigenous communities, minority groups and local non-profits.”

Hugh Campbell, Stephen Lethbridge and Robert Shawn – OZ FM

All three credit the station for giving them the opportunity to host their own shows at OZ FM.

They say that CHMR gives voices to “an array of perspectives and voices that do need to be heard,” and that “musicians and artists from every background can still count on representation.”

Dr. Pamela Morgan – Musician

Lead singer of 19 years of local band Figgy Duff, Dr. Morgan wrote a letter to MUNSU in support of CHMR.

She believes keeping the station open to teach students about podcasting is “a vital service to the community.”

Newfoundland and Labrador Stuttering Association

Hosting a their own show on CHMR the last two years, the Newfoundland and Labrador Stuttering Association credit CHMR for helping them shine a light on an issue that affects many people.

They believe shutting the station down would “silence student voices, and especially the voices of students with disabilities who have so few opportunities to have their voices heard.”

Mike Campbell – K-Rock

Host of his own program on K-Rock, CHMR alum Mike Campbell made a post asking people to support the radio station ahead of MUNSU’s April 1st meeting.

Tom Wilson – Musician

Three time JUNO winner Tom Wilson voiced his support for CHMR.

He says that CHMR helps foster local culture, and provides a voice for those who are underrepresented.

Aside from the many public figures mentioned, we have seen many volunteers and students, both current and former, voicing their hope for the station to not be shut down.

The MUNSU Board of Directors will meet tomorrow to vote on a motion on the future of the station.

MUNSU Election Forum: Where the candidates stand on the issues

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Monday evening, the MUNSU Candidate Forum took place at the Breezeway. Each candidate spoke about their platform and what they would do as MUNSU executives.

Below is a breakdown on each candidate.

Isfak Ahmed Nehal – Executive Director of Finance and Services

Screenshot 2026 03 30 at 11.01.54 PM
Isfak Ahmed Nehal is running for Director of Finance and Services (Instagram).

Isfak Ahmed Nehal introduces his goal of “fixing the issues first”. Explaining that his focus is on transparency, accountability, and communication regarding budgeting within the position.

Isfak plans to bring his previous experience to the table, where he said he has had a myriad of familiarity both with budgeting and with staff management.

He highlighted the importance of communication and understanding between staff and management, providing help and accommodations in order to stay goal oriented.

If elected, he says plans to bring an open line of communication regarding MUNSU’s financial decisions to the stakeholders and the student body alike. He will ensure statements are released on time and plans on communicating with student groups to ensure that they are not only aware, but involved in decisions being made.

By working collectively, Isfak hopes to keep CHMR open. He says that their work and their influence is invaluable to our students so it’s important to support them while we find a solution together.

Nathan Gillingham – Executive Director of Finance and Services

Screenshot 2026 03 30 at 11.00.36 PM
Nathan Gillingham is running for Director of Finance and Services (Instagram).

Gillingham said he has two main priorities if elected: to prioritize budgeting for student life on campus, and to slash executive privileges such as course reimbursements, while ramping up operations and revenues from services like The Breezeway.

He suggested implementing more events, including a pool and dart league, and working with clubs and societies to achieve these goals.

Gillingham said it takes at least seven months to truly understand how the student union runs, describing it as “an operational machine.”

He said the student union requires experience and that he has a burning passion and has proven himself. Furthermore, he suggests implementing workshops, and hearing from the student body about what they want to see added to MUNSU’s services such as The Breezeway, The Attic, and more. He believes students should have direct feedback into where their finances are going.

On the potential closure of CHMR, Gillingham says that “it’s not a problem with CHMR,” and we should be proud of the service. He also states that young people have a “different media landscape” and that “not a lot of young people listen to the radio.”

He adds that it would be best for “CHMR to pursue independence,” and that it “shouldn’t be on the back of students who don’t use this service.”

Ziad Ahmed – Executive Director of Finance and Services

Screenshot 2026 03 30 at 11.04.30 PM
Ziad Ahmed is running for Director of Finance and Services (Instagram).

One of the goals Ahmed highlighted at the forum was for more transparency with how MUNSU handles its finances.

Ahmed believes that knowing “where the students want their money to go” and setting weekly, monthly and yearly goals with MUNSU finances will help create more transparency and help them manage their finances better.

He made an emphasis on listening to students’ ideas and stressed the importance of having someone who knows how to work with the students. 

Lastly, in regards to CHMR. Ahmed said “we can’t view CHMR as another financial liability and just go on our day with it… this is not just a [single] department issue, we are facing this issue in multiple other departments.”

Stephen

Stephen Ehigie – Executive Director of External Affairs, Communications and Research

Ehigie believes both his experiences serving on board of directors and as Black Student Representative makes him a qualified candidate for this role.

The main goals Ehigie would like to achieve should he be elected would be to reduce tuition for all students at MUN, and also to ensure that students who are in work terms are getting paid for their work.

He also highlighted an identity crisis at MUNSU, claiming many students aren’t even familiar with MUNSU, even though they fund the union.

He believes one way to fix this issue would be by being in constant communication with students, and while stressing the importance of social media, that “nothing is better than in person communication.”

In regards to CHMR, Ehigie said “I genuinely believe that CHMR needs to be cut off,” mainly because of the $300k deficit MUNSU is facing.

Taqi Yeasir – Executive Director of External Affairs, Communications and Research

Screenshot 2026 03 30 at 11.05.46 PM
Taqi Yeasir is running for Director of External Affairs, Communications and Research (Instagram).

Taqi is running on a simple slogan: “Save MUNSU, save MUN.” He believes that addressing many of the issues MUN has been facing lately start with building a strong, resilient student union to be the voice of the students.

He aims to lower tuition, and bring better healthcare for students. He has experience speaking with media, and hopes to increase student participation in order to better achieve his goals.

He’s also choosing to hang his hat on the idea of bringing back homecoming. He knows what he wants to do is a lot, but remains undeterred. He said it himself: “I will keep my promises.”

Rana Abuidris – Executive Director of Campaigns

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Rana Abuidris is running for Director of Campaigns (Instagram).

Seeking re election in her role, Rana is looking to wrap up her unfinished business should she return to MUNSU.

She wants to address unpaid work terms for students, and institute need-based scholarships for students from war-torn countries. She wants to institute a donor portal for MUNSU, allowing people to easily donate towards student bursaries.

She says that there will be no more fake promises with her in the picture. Rana is vying to go for round two as an executive, and thinks this second year will allow more possibilities to fulfill her goals at MUNSU. She believes that “one year is not enough for meaningful change.”

Sanaa Mrad – Executive Director of Advocacy

Screenshot 2026 03 30 at 11.03.14 PM
Sanaa Mrad is running for Director of Advocacy (Instagram).

Sanaa Mrad is running for Director of Advocacy with a focus on improving accessibility around campus. She is one of three candidates running for uncontested positions. Her campaign prioritizes accessibility, such as the lack of elevator maintenance around campus, along with better communication between the student body and the people of MUNSU.

While Sanaa may be a first time runner, she has previous experience with the student union and through that, aims to utilize this knowledge to make campus life more inclusive and responsive.

Director of Student Life candidate, Blake Colbran, was unfortunately unable to attend the event due to academic responsibilities.

Voting is now open for undergraduate students from March 31st to April 1st.

Muse-ic Review: self-titled EP by Suburban Architecture

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Unlike the actual architecture commonplace in the suburbs, Suburban Architecture’s self-titled EP is honest, and full of soul. 

Independently released on February 1, Suburban Architecture has influences of emo and folk punk. The EP’s somewhat ‘unpolished’ qualities work entirely to its advantage, avoiding the sameness plaguing some facets of the modern music industry that churns out records with songs reminiscent of those labyrinthine streets lined with identical houses.

Even the band’s name is an apt metaphor for their approach to music – hailing from Torbay, Suburban Architecture possesses a confessional quality that confronts suffering head-on rather than thinly obscuring it with picket fencing. 

Suburban Architecture opens with “Goodbye Letter,” a sprawling, stream-of-consciousness song, half spoken-word and half sung. Singer Damien Fitzgerald derails a hurried story of a relationship gone awry, the romantic allure of unhealthy coping mechanisms, and how we attach memories to senses.

The opening track is significantly more lo-fi than the rest of the record, but it’s a great segue into louder songs with healthy guitar mixes and appropriately detailed licks characteristic of the emo genre. 

“Piggish” is also a standout track on the band’s self-titled project for its charming production choices and lyrical narrative. 

The song paints a vivid picture of feeling especially aimless during the colder months, describing a past event personally formative to the speaker that “started in a shitty little parking lot / where I got myself so lost.” Nothing screams ‘Newfoundland suburbia’ like hanging out in parking lots because there is, quite literally, nothing else to do. 

In this way, Suburban Architecture situates itself within a larger network of Newfoundland-based alternative bands who creatively interrogate just how monotonous living here can feel sometimes, exacerbated by the rain, fog, and various states of uncertainty.

I’m enjoying listening and relating to these types of projects as they come out, but seriously – are you guys okay?

On that note, “Province” describes the feeling of growing up hating a place, only to feel homesick once you leave it. A recurring theme throughout the EP appears to be reflecting on dealing with substance abuse as well, something quite normalized in Newfoundland, as folks attempt to dispel some of that monotony. 

The final song, “End-Roll,” features what I think is the best guitar work on the album, and it ends by repeating the lyrics“I can’t change / I couldn’t change for the better/ even if I tried.”

The EP is fantastic, but I respectfully disagree with this sentiment. It takes a lot of courage to admit defeat, reject the ease and ‘unchanging’ of suburban stagnation, admit what scared you before, and what scares you moving forward, still. With Suburban Architecture, it’s clear that the band members are ready to be honest – and admirably so. 

The band announced their split in tandem with their EP release, citing their lead singer moving away as the reason for the “end of suburbia.” 

However, the EP exists as a great-sounding snapshot of change, heartbreak, catharsis, and most importantly, the unique introspection that accompanies residing in, as I call it, ‘St. John’s adjacent but not quite.’

OPINION: Approving Bay du Nord is a financial mistake

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As a lifelong resident of Newfoundland and Labrador with deep family ties, the recent announcement from Premier Wakeham regarding Bay du Nord is deeply concerning to me—both for environmental reasons and financial reasons.

On Tuesday, March 3rd, NL Premier Tony Wakeham announced the signing of an agreement with Equinor and BP to pave the way for the construction of the controversial offshore oil megaproject, Bay du Nord, located around 500 kilometres northeast of St. John’s in the Flemish Pass Basin—reaching up to 1,200 metres deep.

The estimated $14 billion project, which has yet to receive investment approval, would be Canada’s first ever deepwater oil development and Newfoundland and Labrador’s first offshore oil project since Hebron.

First discovered in 2013, Bay du Nord has been in talks for over a decade. A 2018 statement estimated official approval by 2020 with first oil produced by 2025, when the province was under the leadership of former Premier Dwight Ball. 

Since then, Bay du Nord has been continuously delayed, largely owing to volatile economic conditions.

In 2023, three years past the initial expected deadline for approval, Equinor announced that the project would be postponed for up to three years “in the face of challenging market conditions.”

The location of the development site outside of Canada’s Exclusive Economic Zone—in international waters—exacerbates financial concerns, with Ottawa agreeing to pay fees related to the United Nations Convention on the Law of the Sea that may reach up to $1 billion in taxpayer funds.

Despite rocky market conditions, Equinor and partners present Bay du Nord as a boon for the province and country’s economy, suggesting the development will create thousands of jobs, up to $20 billion in government revenues, and $50 billion in total GDP contribution.

Although Premier Wakeham and project proponents have sold Bay du Nord as an economic opportunity for Newfoundlanders and Labradorians, allegedly expected to generate $6.4 billion in direct revenues for the province, the global fossil fuel market paints a different picture for the financial viability of future extractive megaprojects such as Bay du Nord.

The International Energy Agency (IEA) announced in 2021 that no new oil and gas projects could be approved beyond that year, if the world has a chance of meeting global climate targets to achieve net-zero carbon emissions by 2050, and maintain the mere opportunity of keeping the global temperature rise at 1.5 degrees celsius.

The International Institute for Sustainable Development (IISD) has further emphasized the importance of not approving new fossil fuel megaprojects, with research demonstrating that existing oil and gas developments are sufficient to sustain global economies during the transition to renewable energy.

Given the legally-binding commitment of global leaders to achieve net-zero emissions by 2050 as part of the Paris Agreement and the wealth of data that indicates construction of new fossil fuel projects makes this target nearly impossible, it is deeply confusing and troubling to support a project that is not expected to produce first oil until 2031, and has the stated potential to extract 430 million barrels over a period of 20 to 30 years—years after 2050.

Premier Wakeham went so far as to say “Bay du Nord is not the finish line of our ambition in this sector. It is the starting line,” suggesting possible continued investment in similar developments.

Beyond environmental implications related to global temperature rise, of which there are plenty—such as, extreme weather events, loss of biodiversity, mass extinctions, ocean acidification, risks for fisheries and agriculture, and more—there are significant economic risks associated with doubling-down on fossil fuel investment.

A 2025 IISD report indicating up to 66% of Canada’s future capital investments in fossil fuel megaprojects are at risk of becoming stranded assets. 

Political support for fossil fuel development among global leaders has proceeded to rise in the face of skyrocketing oil prices related to energy shocks as a consequence of Russia’s invasion of Ukraine and the current US-Israel war on Iran.

Canadian leaders, including current Prime Minister Mark Carney and former Premier Andrew Furey, have taken advantage of globally-reaching geopolitical crises to present Canada and NL’s oil as a “green” or low-carbon alternative, which climate scientists have disputed

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Chart demonstrating volatility of global crude oil prices in response to geopolitical events

Ironically, as the former chair of the Financial Stability Board Task Force on Climate-related Financial Disclosures, Mark Carney stated that a carbon budget consistent with a 2 degree global temperature rise, “would render the vast majority of reserves ‘stranded’—oil, gas, and coal that will be literally unburnable without expensive carbon capture technology,” which has not yet been proven to be effective.

Political leaders have yet to take necessary actions to manage the global energy transition and have stubbornly clung on to notions that the fossil fuel industry is critical to Canada and Newfoundland and Labrador’s combined economies; nonetheless, the data supports a global decline for the fossil fuel industry leading to 2050, which is occurring largely independently of government management or energy transition policies.

Current research suggests that global demand for fossil fuels may reach its peak by 2030, carrying a significant risk that high-cost oil producers, such as Canada, will be among the first to get pushed out of the global market as the fossil fuel market faces oversupply.

Without an adequate plan to manage an energy transition aligned with the Paris Agreement, this peak in demand could have devastating impacts on Canada’s biggest oil producers, including Alberta, Saskatchewan, British Columbia, and Newfoundland and Labrador.

NL’s oil and gas revenues would be eliminated nearly entirely, dropping from $4.4 billion to $300 million.

A report from the Centre for Future Work reveals the amount of Canadians directly employed in the fossil fuel sector is relatively small, comprising around 1% of total employment, of which most are near retirement age.

The report also indicates that despite Canada ramping up oil and gas production, employment in Canada’s fossil fuel sector has declined by 38,000 jobs since the sector’s employment peaked in 2014—losses which took place mostly without any government oversight or targeted support for impacted workers. 

Meanwhile, owing to geopolitical pressures, record low costs, and global emissions reductions targets, renewable energy is booming—providing an alternative energy source that is not dependent on imports or volatile energy markets.

Even though Canada has yet to fully take advantage of this unique opportunity, the growth of employment in renewable energy outpaces the wider economy and could offset potential losses—Natural Resources Canada estimates that 400,000 low-carbon jobs could be created by 2030 alone. 

These realities make it even harder to understand why the Government of Newfoundland and Labrador would continue to invest in a likely high-risk, low-reward megaproject that may end up being even more expensive than was originally projected.

The Government of NL should instead take advantage of the province’s wealth of natural resources (e.g. offshore wind and solar) and the continuously decreasing costs of installation and maintenance of renewable projects to protect our beautiful lands while growing our economy. 

There is a way forward that neither sacrifices our land and sea, nor our energy workers. We can choose a path that recognizes the climate crisis and the cost of living crisis as related issues.

A path that invests in community-owned renewable energy projects which have, in some cases, eliminated energy costs for consumers and generated revenue from surplus energy that may be directly reinvested in the community. 

It is past time for Newfoundland and Labrador to say no to oil megaprojects, say no to climate destruction, and build a truly sustainable and just economy. Bay du Nord cannot be a part of the drastic change for a better future this province so desperately needs.

The Canadian media renaissance continues with Nirvanna the Band the Show the Movie

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If you could time-travel back to 2008 Toronto in an RV powered by a discontinued drink that looks like a lava lamp with boba in it – what’s the first thing you would do? 

Best friends Matt Johnson and Jay McCarrol know the answer: see a screening of The Hangover, visit their younger selves, and massively disrupt their current timeline. 

Adapted from cult-classic comedy web series ‘Nirvanna The Band The Show,’  Nirvanna The Band, The Show, The Movie (which is not about the grunge rock band fronted by Kurt Cobain) is a mockumentary-style Canadian-core spoof of Back To The Future, and it might be one of the most inventive films I’ve seen.

The film follows best friends Matt Johnson and Jay ‘Bird’ McCarroll, founding members of ‘Nirvanna the Band’ — which isn’t really a band at all, Jay just plays piano and Matt just kind of stands there in a fedora and occasionally yells something — while they devise increasingly elaborate and childish schemes to book a show at Toronto venue The Rivoli. 

Their master plan? Skydive (skydove? skydiven?) off the top of the CN Tower into the Skydome to announce to attendees of a Jays’ game, before they’ve even booked the show, that they are playing The Rivoli – tonight

Obviously, this does not go well, which leads them to build a time machine, accidentally travelling back to 2008, and finding themselves in a sticky situation when the timeline gets messed up. 

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(Hundred Tomatoes)

From a production standpoint, Nirvanna The Band, The Show, The Movie, is a complete anomaly. 

Filmed almost entirely script-less, with archival footage, legally ambiguous stunts, deliberate gaming of copyright fair use law, DIY and practical effects, and some hilarious real-world interactions, the fact that this film even exists is unbelievable. 

The entire runtime of the film, I asked “how did they do that?” so many times, I lost count. 

The filmmakers created an entire narrative around unused footage from their web series, which is how the ‘time travel’ is made impressively realistic. Not everyone can delve into their hard drive and make a masterpiece.

It’s hilarious, too. They literally set a Toronto street on fire for this film. Gags like Matt’s seemingly never-ending supply of whiteboards, the impossibly long extension cord going from the top of the CN Tower to street level had me giggling. 

Just the concept of skydiving off the CN Tower, only to mess up the plan, and then climb back up later to throw down an extension cord to power your dated RV time machine, is genius.

McCarrol and Johnson still have not revealed how they filmed the CN Tower sequence, as they fear it would get them in legal trouble.

Without spoiling too much, perhaps the best joke in the film is when they time-travel back to 2008 and decide to see a movie. The marquee theatre is packed, and The Hangover is premiering, but Matt becomes incredibly distressed when he hears people crack up at a homophobic slur, and only then realizes their time machine actually worked. 

Matt Johnson’s clothing choices, perpetual bewilderment, and goofy ‘himbo’ disposition work excellently combined with Jay’s earnest and equally hilarious go-along-with-it personality. Their dynamic is perfect for this kind of film – charming, a bit stupid in a good way, and slightly homoerotic at times.

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(Toronto Today)

With the insanity around Heated Rivalry, and the success of Nirvanna The Band, The Show, The Movie, Canadian media is truly having its moment right now. 

It’s well deserved, too. Though popular culture is massively Westernized, it largely focuses on America, which is…well… let’s just say I’m not surprised people are jumping to support Canadian media right now.

It feels oddly patriotic – obviously, Canada has its own deep systemic issues, but I’m proud to say that one of my favourite movies at the moment is by Canadian filmmakers.

Unfortunately, NTBTSTM is no longer in theatres in St. John’s, which I would argue was the optimal viewing experience. If I could, I would easily see it five more times. I haven’t seen the web series yet, but I know what I’m doing after exams.

It’s now available to stream online and buy on DVD/Blu-ray. Just whatever you do, don’t watch this on your laptop or iPad in bed or while doomscrolling – get some friends together and you’re guaranteed a good time. 

5/5