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‘This Party is a Protest’: St. John’s Pride Festival schedule breakdown

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This week, the St. John’s Pride festival kicks off its 34th annual celebration, running from July 8th-19th. With a large variety of events and a theme like ‘This Party is a Protest’, this festival is going to be a big one! 

Wednesday, July 8

12-1 pm: Flag Raising.

St. John’s City Hall, 10 New Gower St. Free, all ages event.

6-9 pm: Beers for Queers

$1 per pint will go to support the Overdose Awareness and Response St. John’s organization.

Quidi Vidi Brewery, 35 Barrows Rd. Free, 19+ event.

7-9 pm: Queer Trivia 

Rainbow HQ, 30 Harvey Rd. Pay What You Can (PWYC) event, Mature Content warning, Sober Event. 

Thursday, July 9

10 am-12 pm: Birding Without Barriers: A birdwatching event

Royal St. John’s Regatta Boathouse, 10 Clancey Dr.  Free, all ages event. 

6:30-8:30 pm: Rejoice and Rise up

Several members of the queer community will share their joys and sorrows of participating in faith and spiritual communities. There will also be music, refreshments and community building.

The Lantern, 35 Barnes Rd. Free, all ages event. 

7 pm- 9:30 pm: Feature Film: Antidiva: The Carole Pope Confessions

LSPU Hall, 3 Victoria St. Free, mature content event. 

7-11 pm: Quadrangle NL Drag Bingo

The Bella Vista, 26 Torbay Rd. Ticket needed, 19+ event. 

Friday, July 10

8 pm- 1 am: Pride After Dark

JAG Soundhouse, 115 George St. West. Sold out. 19+ event. 

Saturday, July 11

9 am-8 pm: Softball Tournament

Registration required, spots are limited.

Bannerman Park Ball Field, all ages event.

10 am-4 pm: Ballroom Boot Camp

Event for BIPOC members of the Queer Community. Registration required.

The Breezeway, 1 Arctic Ave. Free, all ages event.

10:30 am-12 pm: Pride Week Book Club

Registration required, limited space. Participants will discuss Heated Rivalry by Rachel Reid.

A.C. Hunter Public Library, 125 Allandale Rd. Free, Mature Content event. 

11:30 am-1 pm: Protest Song Workshop

Rainbow HQ, 30 Harvey Rd. Free, all ages event. 

12-2 pm: Fat Babes Swim 

Tickets sold out.

Bannerman Park Pool

12-4 pm: MUNSU Gender Affirming Haircuts

Bannerman Park, PWYC, all ages event. 

12-4 pm: Community Sign-making Workshop

Bannerman Park. Free, all ages event. 

1-4 pm: Family Pride

Registration required. Activities include arts and crafts, drag story time, a children’s dance class, bouncy castle, and free snacks.

Kenmount Terrace Community Centre, 85 Messenger Dr. Free, all ages event. 

8 pm-12 am: Legends, Statements, and Stars: A Celebration of Ballroom Culture

Ticket required. Watch a showcase of talent and celebration of BIPOC Queer folks in the Ballroom dancing community.

The Breezeway, 1 Arctic Ave. $20 donation/PWYC, 19+ event.

Sunday, July 12

8-10 am: Queer Birding Outing: A birdwatching event

Bowring Park (meet at the Peter Pan Statue). Free, all ages event.

10 am-3 pm: Queer Market

St. John’s Farmers Market, 245 Freshwater Rd. Free, all ages event. 

12-2 pm: Pride on the Harbour

A fun, family-friendly celebration of pride with Drag performances and a free BBQ. 

Harbourside Park, 85 Water St. Free, all ages event. 

4-6 pm: Drag on Water

The Rainbow Wall, 246 Water St. Free, all ages event.

8-10 pm: Dry Humour

Registration required; performances are intended for an adult audience.

Rainbow HQ, 30 Harvey Rd. Free, all ages event. 

Monday, July 13

6-8 pm: Chosen Family Dinner

Registration required and seats are limited.

St. John’s Farmers Market, 245 Freshwater Rd. Free, all ages event.

5:30-8:30 pm: Pride Talks Panel: Putting Sex Back in Pride

Theatre Hill Bar, 390 Duckworth St., free, Mature Content event. 

Tuesday, July 14

6-8 pm: Heated Rivalry Trivia Night

Registration needed, teams of up to 6 (only register once per team).

A.C. Hunter Public Library, 125 Allandale Rd. Free, Mature Content event. 

7-8 pm: 2SLGBTQIA+ IM/Migrant and Refugee Meet-up

YMCA St. John’s, 291 Water St., Suite 301. Free, all ages event.

8-10 pm: Annual Beach Fire + Songwriters Circle

Due to wildfire concerns over the past few years, the annual beach fire has pivoted to contained propane fires in Harbourside Park. Bringing a blanket is recommended. The weather backup location is Rainbow HQ (30 Harvey Rd.). 

Harbourside Park, 85 Water St. Free, all ages event. 

Wednesday, July 15 

5-7 pm: Sound Symposium: Octationic Decadence Ensemble

Anglican Cathedral of St. John the Baptist, 16 Church Hill. Free, all ages event. 

6:30-8:30 pm: Film Screening: Love in the Time of Fentanyl

Registration and seat selection available.

The Majestic Theatre, 390 Duckworth St. PWYC, Mature Content event. 

7-9 pm: Spectrum Queer Choir in Concert

First Light Centre for Performance and Creativity, 42 Bannerman St. Free, all ages event.

7-9 pm: Pride Parade Poster Print-making

The Rooms, 9 Bonaventure Ave. Free, all ages event. 

7:30-9:30 pm: Queer-eeoke

Theatre Hill Bar, 390 Duckworth St. Free, all ages event. 

Thursday, July 16

5:30-7:30 pm: Dyke March

Harbourside Park, 85 Water St. Free, all ages event. 

6:30-8:30 pm: Pride Talks Panel: What’s O.A.R.S. is Yours: Harm reduction, collective liberation and community

Rainbow HQ, 30 Harvey Rd. Free, Mature Content event. 

8:30-11 pm: Glitter Tits and Rainbow Bits

Registration and tickets available at: https://www.zeffy.com/en-CA/ticketing/glitter-tits-and-rainbow-bits

The Breezeway, 1 Arctic Ave. Ticket needed, 19+ event.  

Friday, July 17

9 pm-1 am: Free Up Yuhself: A Caribbean Queer Fete

Registration and tickets available at: https://www.zeffy.com/en-CA/ticketing/free-up-yuhself

Wooden Walls Distillery, 140 Harbour Dr. Ticket needed, 19+ event. 

Saturday, July 18

10 am-12 pm: Pride Fun Run

Registration available at: https://raceroster.com/events/2026/113927/pride-fun-run-2026

Quidi Vidi Lake. Ticket needed, all ages event. 

10 am- 2 pm: Paws 4 Pride Fundraiser

Kenmount Rd. Animal Hospital, 173 Kenmount Rd.  Paid Entry, all ages event. 

11 am- 6 pm: Self-care Symposium

A closed safe space with 3 sessions for members of the Trans and Non-Binary Community. Sessions included are: 11 am-1 pm: Trans-Masc, 1:30-3:30 pm: Gender Non-Conforming, and 4-6 pm: Trans-Fem. 

Want to be a mentor for this event? They’re looking for passionate people who want to share their knowledge about self-care- hair care, facial hair grooming, skincare, makeup and more. The mentor form can be found here.

Rainbow HQ, 30 Harvey Rd. Free, all ages event.

12-3 pm: 2 Spirit BBQ

Welcoming 2S + Queer Indigenous folks, and their families and allies. 

First Light, 70 Brookfield Rd. Free, all ages event. 

6-9 pm: Drag on George

George Street Main Stage. Free, all ages event. 

6-9 pm: 709 Roller Derby Bout

Tickets available.

Goulds Lions Arena, 507 Main Rd. Paid entry, all ages event. 

9 pm-12:30 am: 709 Roller Derby After Party

Wooden Walls Distillery, 140 Harbour Dr. Free, 19+ event. 

10 pm-3 am: Sensual Saturday with Selenium

The S.P.A.C.E., 72 Harbour Dr. Paid entry, 19+ event. 

Sunday, July 19

12-2 pm: Pride Parade
The parade will start from St. John’s City Hall, 10 New Gower Street, and proceed along Duckworth Street, turning onto Ordnance Street and proceeding onto Military Road, ending at Bannerman Park.

Free, all ages event. 

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1-4 pm: Pride in the Park

Bannerman Park. Free, all ages event.

3-6 pm: Beers for Queers Tea Dance

Wooden Walls Distillery, 140 Harbour Dr. Free, 19+ event. 

8 pm-12 am: Pride Wrap Party

Tickets available.

The Bella Vista, 26 Torbay Rd. Paid entry, 19+ event. 

Six alumni elected to Memorial’s Board of Regents

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Six members representing Memorial’s alumni body were elected to serve on the university’s Board of Regents for a three-year term.

Memorial alumni could vote for up to six candidates in the 2026 Board of Regents alumni election from May 13 to June 11. A total of 13,076 votes were cast.

Below are the newly elected alumni representatives:

  • Anik Rahman, B.Eng.’17 (1,067 votes) 
  • Kanani Penashue-Davis, B.Ed.(Native and Northern)’09 (673 votes) 
  • Steven Gardiner, BA’91 (650 votes) 
  • Connie Duffett, B.Comm.(Co-op.)’02, MER’11 (619 votes) 
  • Trudy Morgan-Cole, MA’93, M.Ed.’05 (618 votes) 
  • Bridgette Abbott, B.Ed.(Primary/Elementary)’14, B.Sp.Ed.’18, M.Ed.’20 (586 votes) 
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Board of Regents 2026 alumni election results (Gazette)

“I am grateful to all candidates who put their names forward, as well as to the thousands of alumni who took the time to participate in the vote,” President Dr. Janet Morrison said to the Gazette. “Their involvement strengthens our shared model of governance and reinforces the vital role alumni play in the stewardship of the university.”  

The elected alumni will begin their term September 1, 2026 and will end on August 31, 2029. Complete election results are available online.

The Board of Regents is part of Memorial University’s bicameral system of governance, responsible for the management, administration, and control of the university’s property, revenue, business, and affairs. The Board operates alongside the Senate, which is responsible for all academic matters of Memorial.

While Board members have a more active role in the governance of Memorial University, all representatives have a fiduciary duty to “act in the best interest of the institution at all times, above personal, professional or external interests, regardless of whether they were elected or appointed and regardless of any constituent base.”

The Board of Regents is composed of 30 members: three ex officio members, six elected alumni, four full-time students, and seventeen members appointed by the Lieutenant-Governor in Council.

GALLERY: Lawnya Vawnya 16 photographed by Claire Smith

Fairweather at Gower St United Church 03/06/2026
Fairweather at Gower St United Church 03/06/2026
Shunk at Gower St. United Church 03/06/2026
Shunk at Gower St United Church 03/06/2026
Shunk at Gower St United Church 03/06/2026
Sick Puppy at Gower St United Church 03/06/2026
Sick Puppy at Gower St United Church 03/06/2026
Sick Puppy at Gower St United Church 03/06/2026
Sick Puppy at Gower St United Church 03/06/2026
JayWood at Bannerman Brewing Co. 04/06/2026
JayWood at Bannerman Brewing Co. 04/06/2026
Gamksimoon at The Ship Pub 04/06/2026
Gamksimoon at The Ship Pub 04/06/2026
Miesha and the Spanks at The Ship Pub 04/06/2026
Miesha and the Spanks at The Ship Pub 04/06/2026
Kelly McMichael at The Ship Pub 05/06/2026
Kelly McMichael at The Ship Pub 05/06/2026
Cassia Hardy at The Ship Pub 05/06/2026
Desperta at The Rock House 05/06/2026
Uzu at The Rock House 05/06/2026
NARCY at The Rock House 05/06/2026
NARCY at The Rock House 05/06/2026
LICE at The Baird Building Garage 06/06/2026
LICE at The Baird Building Garage 06/06/2026
Dear Evangeline at The Baird Building Garage 06/06/2026
Dear Evangeline at The Baird Building Garage 06/06/2026
Dear Evangeline at The Baird Building Garage 06/06/2026
Dear Evangeline at The Baird Building Garage 06/06/2026
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Invisible Hand at The Baird Building Garage 06/06/2026
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Mantracker at The Baird Building Garage 06/06/2026
Mantracker at The Baird Building Garage 06/06/2026
Chumpp at The Ship Pub 06/06/2026
Chumpp at The Ship Pub 06/06/2026
fanclubwallet at The Ship Pub 06/06/2026
Kiwi Jr. at The Ship Pub 06/06/2026

Five stand out short films at Nickel Independent Film Festival

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The Nickel Independent Film Festival is officially underway, and while the feature length offerings tend to receive the most spotlight, the myriad of short films on display here should not go unnoticed.

The annual festival serves as an outlet for many independent creators, both local and abroad, to showcase their works to a thriving local arts community.

History’s Headlines (Director: Jeff Lewis)

As storyteller Arthur Bank displays himself as a war hero, with the goal of achieving political fame, he must avoid the dead premier’s daughter’s attempts to expose him and his reinvention of himself.

Right off the bat, the editing work on display here is truly remarkable. The cuts are perfectly placed and timed, the photographs and text on screen do such an amazing job at keeping the film engaging to look at. Combined with the sound design and music, it’s just as much of a treat to listen to.

Declan Foley (left) and Justin Nurse (right) in History’s Headlines. (IMDb)

The editing and sound design lay the foundation, and the performances do the rest of the work, with Mallory Brumm as Vivian and Justin Nurse as Richard being the standouts.

While some of the slow motion shots can be a bit jarring, it’s infrequent enough, and the rest of the film is well built enough, that it’s easy to overlook it. It all comes together to create a compelling narrative on how, when the wrong people are put in positions of power, media can be twisted and altered to spit out any narrative that furthers personal agendas.

This short film screened on opening night of the festival.

Jazz Infernal (Director: Will Niava)

Koffi Boni Jr., son of legendary jazz musician Koffi Boni, moves from his home in Côte d’Ivoire to Montreal looking for work, and finds himself struggling to live up to the name his father made so famous.

Jazz Infernal comes to Nickel after making waves at Sundance, being nominated for Best Short Film, and winning International Fiction. After watching it, it more than lives up to its reputation.

A flashback from Koffi, watching his father play his trumpet. (IMDb)

It’s an expertly crafted story of finding your place and carving your own path from those before you, and Ange Eric N’Guessan plays this role perfectly. The fast pacing contributes to the film being able to say and show so much in only a 16-minute runtime.

The direction and cinematography is what brings it all together. Niava knows exactly when to work in quick cuts, long takes, and even an intricate mirror shot to keep the film visually engaging the whole way through.

At the same time, he knows exactly when to cut the quick movements, keep the camera at rest, and let the actors and lighting do the rest of the work.

Overall, this short film is a standout, and I honestly just wanted more of it. Should Niava ever get the chance to turn this into a feature film, he absolutely should, and I’d be there day one.

It will be screened Wednesday, June 24 at 7:00 p.m in the “A Little Tenderness” short film block.

My Plastic Mother (Director: Amar Haikal)

Following the death of his mother, a young boy named Eki searches a dangerous landfill for something he can use to cling onto what connection he has left to her.

One of the international offerings this year, this one coming from Indonesia, My Plastic Mother expertly displays how a child deals with a feeling as complex as grief. Eki lashes out, struggles to form full sentences, and sometimes just stands completely still and quiet, staring off into the distance.

Eki wandering the landfill. (IMDb)

The cinematography really sells the idea of him missing something. These big, wide shots are constantly used, making Eki feel small in a sea of otherwise blank space, showing the void he feels stuck in.

The clips of other children showing objects important to their mothers just further reinforces how he feels alone, and that he’s missing something compared to everyone else, a feeling that Haikal drew from his own personal experiences.

Overall, it’s a powerful case study on grief and loneliness, and is more than worthy of the Grand Jury Prize it won at Flickerfest. I wish Haikal and everyone involved the best of luck in their 2027 Oscars race.

It screens in the ‘Love, Almost’ short film block on Thursday, June 25 at 7:00 p.m.

If they’re not dead, they’re still alive (Director: Maïka Hearson)

A documentary about Mark Cormier, a francophone storyteller on the Port au Port Peninsula, who tells stories of his heritage to keep his culture and history alive.

It’s a powerful look into how words, even in the most isolated of communities, can hold so much power, both good and bad, and how it’s important to know not just who we are, but where we’re from.

A row of houses on the Port au Port Peninsula. (Nickel Independent Film Festival)

It dives into the anglicization of Newfoundland’s west coast, stemming from the construction of Stephenville’s military base in World War I, and how francophones have had to adapt and create new ways to keep their culture alive in an increasingly English community.

The documentary shows how through teaching the youth about the history and culture they come from, and telling stories that embrace said cultures and histories, we can keep our cultures alive for far longer than anyone expected.

It’s an eye-opening watch, and showcases both the life and work of Cormier, and his little corner of the world, in a truly beautiful fashion.

It will be screened at the ‘People’s History’ on Saturday, June 27 at 2:30 p.m.

Me and The Spaceman (Director: Eric William Elliott)

A mysterious spaceman searches for a missing rocket ship alongside a grieving mother, and their journey turns into a way for her to face the death of her son.

The sound is a huge standout here. The music by Jared Walker really completes scenes, and makes them perfectly convey exactly what they need to with no spoken words at times. Yet it’s when the sound cuts out that everything hits its emotional peak.

The titular Spaceman on the beach. (Nickel Independent Film Festival)

Space is used not just as a sci-fi angle to approach this story from, but as a theme of the space we find ourselves in once someone is gone, and how it can feel as empty at the vastness of the stars. Yet, as we learn to let go, we are surrounded by their memories, allowing them to live on in our hearts and minds.

It can take a little bit to get going, but once it does, it becomes an incredibly emotional story about grief and letting go.

It will be screened at the ‘Striking Out the Boys:’ on Sunday, June 28 at 7:00 p.m.

These are just five of the dozens of short films on display at this year’s Nickel Independent Film Festival. If you’re interested in checking out some films out, the festival runs until June 28th at the LSPU Hall.

The Muse will be providing more coverage for the festival as it progresses.

Nickel Independent Film Festival screens begins its 26th edition

The Nickel Independent Film Festival will continue its over two-decades of celebrating and nurturing Newfoundland and Labrador’s independent film culture with its 2026 run, taking place at LSPU Hall from June 22–28.

This year’s program features a curated selection of the top local and international feature films, documentaries, and short films, alongside free panel discussions, workshops, and networking opportunities for filmmakers, storytellers, and film enthusiasts across St. John’s.

Below is a brief overview of this year’s screenings.

‘Hangshore:’ Monday, June 22 at 7:00 p.m. | SOLD OUT

Hangshore (2026)

Director: Justin Oakey

Run-time: 87 minutes

Winner of Best Feature at Fog Fest and recipient of the DGC Ontario Award for Best Director at the Canadian Film Festival.

History’s Headlines (2026)

Director: Jeff Lewis

Run-time: 17 minutes

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Theresia Kappianaq and Haiden Angutimarik in Wrong Husband (2025)

Uiksaringitara or ‘Wrong Husband:’ Tuesday, June 23 at 7:00 p.m. | 1 film

Director: Zacharias Kunuk

Run-time: 100 minutes

Winner of Best Canadian Film at TIFF 2025.

‘A little Tenderness:’ Wednesday, June 24 at 7:00 p.m. | 7 shorts

Bad News goes to Therapy
After a bad night and a worse almost-romance, Ange (Cheney Emberg), spirals their way to a friend’s apartment (MK Morris) (Bad News goes to Therapy, 2026)

Bad News Go to Therapy (2026)

Director: Jana Gillis

Run-time: 6 minutes

The Dress (2026)

Director: Lynn Panting

Run-time: 8 minutes

Kid Me Not (2026)

Director: Nathalie Javault

Run-time: 6 minutes

Candles (2026)

Director: Kwame Lestrade

Run-time: 13 minutes

Last Love Letter (2026)

Director: Rhonda Buckley

Run-time: 6 minutes

Jazz Infernal (2026)

Director: Will Niava

Run-time: 16 minutes

Intercambio (2026)

Director: Amaia Yoldi

Run-time: 14 minutes

‘Love, Almost:’ Thursday, June 25 at 7:00 p.m. | 5 shorts

Casi Septiembre
At a camping resort where summer routines repeat year-round, a young woman’s crush on a tourist from Madrid forces her to confront her fear of abandonment. (Casi Septiembre, 2026)

Sawdust (2026)

Director: Ashley Neary

Run-time: 9 minutes

My Plastic Mother (2026)

Director: Amar Haikal

Run-time: 19 minutes

Recipient of the Grand Jury Prize at Fickerfest; qualified for the 2027 Oscars race.

Julian and the Wind (2026)

Director: Connor Jessup

Run-time: 15 minutes

Second Place (2026)

Director: Andrea Dunne

Run-time: 15 minutes

Casi Septiembre (2026)

Director: LUCÍA G. Romero

Run-time: 30 minutes

‘The Darkest Timeline:’ Thursday, June 25 at 10:00 p.m. | 7 shorts

A display
A Palestinian surgeon drives home after a long night shift, unaware that a routine commute through a deserted West Bank road is about to pull her into a tightening web of coercion, surveillance, and danger. (Coyotes, 2026)

(For Once I Dreamed of You) (2026)

Director: Kate Solar

Run-time: 6 minutes

Black Hole (2026)

Director: Brianna Russell

Run-time: 12 minutes

And I Would Be Beautiful (2026)

Director: Mathilde george

Run-time: 10 minutes

Volcelest (2026)

Director: Eric Briche 

Run-time: 15 minutes

Flickers (2026)

Director: Alexa Jane Jerrett

Run-time: 6 minutes

Coyotes (2026)

Director: Said Zagha

Run-time: 20 minutes 

Selected for the 2025 Berlinale Shorts competition.

The Spectacle (2026)

Director: BÁLINT KENYERES

Run-time: 17 minutes

Competited at the 2025 Cannes Film Festival.

‘DIY Sci-Fi Screening:’ Friday, June 26 at 7:00 p.m.

Showcases the results of the ten-day challenge to create a sci-fi short film and have it shown at the Nickel Festival.

‘Things Get Weird:’ Friday, June 26 at 10:00 p.m. | 7 shorts

A display
A young boy’s pimple bursts, leading to a bloody disaster. This Portuguese body-horror comedy packs a lot of mess into a very short runtime. (Pimple, 2026)

Radio Hell (2026)

Director: Bart K Pierson

Run-time: 13 minutes

Technophobic (2026)

Director: Michael Peers & Yasmine Majchrzak

Run-time: 8 minutes

Finger Guns (2026)

Director: David Feehan

Run-time: 10 minutes

An Interview with the Devil (2026)

Director: Peter Collins

Run-time: 16 minutes

Luz Diabla (2026)

Director: Gervasio Canda, Paula Boffo, & Patricio Plaza

Run-time: 11 minutes

Oliver (2026)

Director: Andrew Strickland

Run-time: 13 minutes

Pimple (2026)

Director: Fernando Alle

Run-time: 4 minutes

‘People’s History:’ Saturday, June 27 at 2:30 p.m. | 6 documentaries

A display
Lorraine Michael looks back on a life in politics, labour, and public protest while tracing the Lebanese-Newfoundland community that shaped her sense of justice. (Lorraine, 2026)

If They’re Not Dead, They’re Still Alive (2026)

Director: MAÏKA HEARSON

Run-time: 10 minutes

The Lines She Carries (2026)

Director: Crystal Martin

Run-time: 11 minutes

No Matter the Weather (2026)

Director: Florence Lafond

Run-time: 15 minutes

Free Fish (2026)

Director: Bisan Owda

Run-time: 23 minutes 

Motel Grand-Pré (2026)

Director: Calvin Liu

Run-time: 15 minutes

Winner of the Canadian Society of Cinematographers Award and Air Canada Best Short Film Award.

Lorraine (2026)

Director: Allison Basha & David Gosine

Run-time: 15 minutes 

‘Hope After All:’ Saturday, June 27 at 7:00 p.m. | 6 shorts

A display
On a road trip across Newfoundland, photographer Ting Ting Chen makes surreal portraits of 74-year-old Robert Tilley, demonstrating a unique cross-generational friendship. (The Muse, 2026)

Balconada (2026)

Director: Iva Tokmakchieva

Run-time: 8 minutes

Sydney (2026)

Director: Grant Earl Macintosh

Run-time: 17 minutes

We Were the Scenery (2026)

Director: Christopher Radcliff

Run-time:  15 minutes 

Recipient of the Short FIlm Jury Award at the 2025 Sundance Film Festival.

The Muse (2026)

Director: Wanda Nolan

Run-time: 18 minutes

Sulaimani (2026)

Director: Vinnoe Ann Bose

Run-time: 20 minutes

Pique-Nique (2026)

Director: JÉRÉMY GAGNON

Run-time: 9 minutes

‘Labrador in Focus:’ Sunday, June 28 at 2:30 p.m. | 6 shorts

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Innu knowledge holder Rosemarie Pokue passes down what her mother taught her: how to pluck a partridge, how to cut it, how to cook it six different ways. (Partridge Cleaning, 2026)

Note: these short films are to screen at The Rooms.

Rocks (2024)

Director: Students of Sheshatshiu Innu School

Run-time: 6 minutes

Talent Show (2024)

Director: Students of Mealy Mountain Collegiate

Run-time: 7 minutes

Stagefright (2026)

Director: Adam Hill

Run-time: 14 minutes

Partridge Cleaning (2026)

Director: Arctic Moss Studios

Run-time: 5 minutes

Lydia Campbell (2026)

Director: Them Days

Run-time: 13 minutes

The Labrador Creative Arts Festival (2026)

Director: Amanda Bulman & RODRIGO IÑIGUEZ

Run-time: 60 minutes

‘Striking Out the Boys:’ Sunday, June 28 at 7:00 p.m. | 3 films

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Striking Out The Boys follows Newfoundlander, Jaida Lee, over a four-year period where she helps elevate female baseball in a male-dominated sport. (Striking out the Boys, 2026)

Me and the Spaceman (2026)

Director: Eric William Elliot

Run-time: 14 minutes

Le Tour De Canada (2026)

Director: John Hollands

Run-time: 6 minutes

Striking Out the Boys (2026) | **WORLD PREMIER**

Director: Kelly Meadus

Run-time: 70 minutes

Film tickets are ‘pay what you can’ with a $10 minimum. Festival passes are available for $60 and allow viewers to reserve tickets for any screening. Tickets and passes can be purchased in-person at the LSPU Hall box office or online on the Nickel Festival website.

OPINION: Rogers’s greed kills free Hockey Night in Canada 

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Rogers and CBC have announced that they will no longer air Hockey Night in Canada, meaning that free, public access to NHL hockey on Saturday nights is dead. 

Hockey Night in Canada was an institution, a time-honoured pastime, and a Saturday night reprieve that brought much of the nation together to watch the mesmerizing mosaic on ice known as hockey. 

Growing up there was hardly a Saturday night that wasn’t consumed by back-to-back hockey games surrounded by my friends in one of our parents’ basements, playing mini-sticks in the intermission whilst we listened to the analysts discuss the previous period and news on the league. 

These memories are cherished by myself, and no doubt countless other Canadians since the broadcast first aired on CBC in 1952. Now, this weekly national tradition is under attack due to the sheer greed of the telecom oligopolist Rogers. 

For some context, Hockey Night in Canada is a production owned by the CBC, which first aired on television in 1952. The CBC, a crown-corporation with a mandate to inform and entertain Canadians, made Saturday Night NHL hockey games publicly available for all Canadians. 

The demise of free hockey began in 2014, when Rogers’ new exclusivity deal with the NHL kicked in. Luckily, for a 12 year window, the CBC had a sub-licensing deal which let Rogers produce and air Hockey Night in Canada but allowed the CBC to broadcast it as well. 

This allowed Rogers and its shareholders to retain all ad revenue from Hockey Night in Canada whilst still allowing all Canadians to access the program for free. But now, that deal has ended, and hockey on Saturday night is now behind a paywall.

I know what many of you are probably thinking: “Who can’t afford a Sportsnet package?”, “Who doesn’t have the sports package with their cable provider?”, to which I would say, quite frankly a lot of people!

To make matters worse, a Sportsnet subscription does not even yield the ability to stream any NHL game you want, meaning there is technically no guarantee of watching a Canadian team on a given Saturday night. 

With NHL games now being fragmented across multiple streaming services and affected by regional blackouts it would cost fans hundreds, if not over a thousand dollars a year to watch all the hockey they want. 

This renders an already inaccessible sport in the playing-realm further economically inaccessible on the viewing-side. Hockey is being gate-kept from financially struggling Canadians, all so that the shareholders at Rogers can increase their net-worths. 

If hockey is a part of what it means to be Canadian, and is so engrained in our culture, why is it increasingly locked behind economic barriers? 

Youth participation is already decreasing due to economic factors, and now youth interest as a whole is at stake as well. 

It is worth noting however, that the CBC still owns the ‘Hockey Night in Canada’ trademark. There is an opportunity that exists here. The NHL isn’t the only hockey league with teams in Canada.

 CBC should keep the broadcast alive, and broadcast leagues like the CHL or the PWHL to continue the time-honoured tradition of publicly broadcasted Saturday night Canadian hockey. 

The PWHL’s success in recent years has been phenomenal to watch, and giving Women’s hockey a greater platform to shine would only have positive effects on the growth of the game.

‘Friends of the Festival’ raises over $45k to revive NL Folk Festival for 50th anniversary

After the final curtain call of the 49th NL Folk Festival last summer, the event’s future seemed uncertain. However, a fundraiser performance held at the St. John’s Convention Centre on June 7 may enable the historic Folk Fest to reach its golden anniversary.

Since the closure of the NL Folk Arts Society’s physical office last November, the organization has worked tirelessly to keep its spirit alive.

‘Friends of the Festival,’ a performance event showcasing different styles of folk music, was created to both showcase Newfoundland’s folk music scene and to act as a fundraiser to return Folk Fest to its former glory.

During the event, VOCM host Greg Smith announced to the audience that the Folk Arts Society had amassed a $50,000 debt. While the fundraiser did not quite eliminate the society’s debt entirely, Friends of the Festival did successfully raise over $45,000, enough to put the 50th Folk Festival back on the table for 2026.

While the look of this year’s Folk Festival is still uncertain, the NL Folk Arts Society is aiming to be in Bannerman Park for Saturday, August 8th; while it may not be the three-day event that it was last year, people were nonetheless delighted to hear the festival will be returning.

After their performance, The Muse caught up with three former members of the iconic Newfoundland folk-rock band Figgy Duff – Kelly Russell, Pamela Morgan, and Dave Panting – to reflect on their own history with Folk Fest, going all the way back to its first running.

“I think the first year, there was probably a handful of people there in the audience,” Russell explained, “and now it’s big crowds. It’s great to see something grow over time like that.”

Panting shared a similar statement, acknowledging that “it’s not 1975 anymore…but you can see by the crowd that the feeling is still there, and people of different ages too.”

While Russell admits he does not know the exact details of the society’s financial situation, he believes Folk Fest should continue in some capacity: “I think it’s an important component of the fabric of our society here, and dare I say our culture. We’re a lot less without it.”

The 50th Folk Festival’s appearance is still being determined; no acts have been officially announced to perform at Bannerman Park. Nonetheless, each of the three Figgy Duff members is hoping to get the invitation. When asked if they would play together again, Morgan chimed in, saying, “You never know.”

While the Figgy Duff trio’s history with Folk Fest runs deep, Montreal-born artist Zaynab Wilson has never performed at the festival, while her cellist, Amy Collyer-Holmes, has previously played with folk-rock band Lady Lupin.

However, the duo did play together earlier that week in the 16th running of Lawnya Vawnya, another music festival that focuses on independent artists of all genres.

When asked to compare Lawnya Vawnya to Friends of the Festival, Wilson found the two events to have more in common than what appears on the surface, noting how both events bring together communities, just “different demographics, but we kinda played the same music.” Collyer-Holmes confirmed that the duo had played the same set of music at both events.

Collyer-Holmes continued, “It’s just a really special place to gather with friends who play music, who enjoy music, and lots of generations at both of those festivals.” Regarding Folk Fest specifically, the cellist explained, “No one wants to see it go away, it’s so special to so many people for a lot of reasons.”

Much like Russell, Morgan, and Panting, Wilson and Collyer-Holmes hope to receive an invitation to this year’s Folk Fest. “Maybe we’ll be at the 100th [Folk Fest]”, Collyer-Holmes chuckled to Wilson.

No matter how far the NL Folk Festival goes, its future tentatively appears to be saved by a simple concept that an old Simani song once covered: music and friends.

Five Newfoundlanders hear their names called in the QMJHL draft

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Five Newfoundlanders and Labradorians heard their names called at the 2026 QMJHL Draft in Halifax as they look to begin the next part of their junior hockey careers.

Damian Norris – Newfoundland Regiment

It’s only fitting that the first Newfoundlander to be taken in this year’s draft was to be selected by the Newfoundland Regiment, who took Damian Norris 13th overall.

Norris was the highest-ranked Newfoundlander in this draft after a very solid season with Upper Canada College’s U16 AAA hockey team, scoring 20 goals and adding 67 points in 56 games played.

His father, Warren, was also a hockey player and spent a year with his hometown team, St. John’s Maple Leafs, during the 1997-98 AHL season, while his cousin, Josh, is currently in the NHL with the Buffalo Sabres.

Luke McGuire – Moncton Wildcats

The second and final day of the draft saw the Moncton Wildcats select Conception Bay South native Luke McGuire, who was the second Newfoundlander taken in this year’s draft.

McGuire was ranked 76th overall entering the draft and was taken in the fifth round, 90th overall. In 27 games with the Calgary Edge School U17 Prep hockey team, McGuire scored 15 goals to go with 34 points.

He’ll now be a prospect on a team that has played in the QMJHL’s Gilles-Courteau Finals the previous two seasons, winning it all in 2025.

Samuel Williams – Newfoundland Regiment

The third local taken off the board and second Newfoundlander taken by the Regiment was Samuel Williams, who was selected 157th overall in the ninth round.

Entering the draft, QMJHL’s Scouting Central (CSR) projected Williams to be taken between the sixth and eighth round, so the Regiment got some good value for Williams in the ninth round.

The defender spent this past season here in the province with the East Coast Blizzard in the NLU18AAA hockey league, where in 29 games he scored three goals and totalled 16 points.

Cole Toms – Sherbrooke Phoenix

Initially ranked 86th in the CSR rankings, the Sherbrooke Phoenix may have gotten a steal in Bishop’s Falls native Cole Toms in the 11th round at pick 189.

Toms spent this past season at Bishop’s College, a boarding school ironically located in Sherbrooke, where he played in 47 games at the high school level, scoring 28 goals and totalling 44 points. He also made 13 appearances with the school’s varsity team, earning five points.

Aidan Graham – Newfoundland Regiment

The fifth and final Newfoundlander taken in this draft was Aidan Graham, a forward from Paradise. He was the third local taken by the Regiment, taken at pick 211 despite the CSR rankings having him ranked 84th.

Graham spent this past season in the NLU18AAA hockey league with the Pinnacle Growlers, notching 10 goals and 24 points in 30 games played, en route to a championship.

Newfoundland Regiment pick recap

Over the course of the 12-round draft, the Regiment made 10 selections. Here’s a look at who they selected:

Round 1, Pick 13: Damian Norris – C – Middle Cove, NL

Round 3, Pick 37: (via Baie-Comeau): Logan Cotter – D – Marlborough, MA (USA)

Round 3, Pick 49: Joey St-Laurent – C – Greenland, NH (USA)

Round 4, Pick 67: Maxime-Alexandre Beaudoin – D- La Prairie, QC

Round 6, Pick 103: Liam Fournier – LW – Trois-Rivières, QC

Round 7, Pick 121: Colin Walsh – LW – Framingham, MA (USA)

Round 8, Pick 139: Daniele Di Marzo – RW – Laval, QC

Round 9, Pick 146 (via Rimouski): Jonathan St-Hilaire – RW – Sainte-Marie, QC

Round 9, Pick 157: Samuel Williams – D – St. John’s, NL

Round 12, Pick 211: Aidan Graham – C – Paradise, NL

Muse Reviews: Backrooms as a metaphor for artificial intelligence

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Following the immense success of the YouTube series of the same name, Kane Parsons’ full-length directorial debut, Backrooms, is in theatres now, and it’s just as open to interpretation as the web series Parsons made into an internet phenomenon.

While there are many ways to interpret the film, primarily as a metaphor for memory loss and trauma, what immediately stood out to me is how the movie can be seen as an interpretation – and, in some ways, a critique – of artificial intelligence.

I’ll start with a brief review of the film, just to lay some groundwork.

I’m a big fan of Backrooms. It manages to perfectly encapsulate the feeling of dread and uneasiness of both the series and the old 4Chan posts that Parsons based his series and the film on, while still creating a unique identity for itself.

The film takes a back-to-basics approach, trimming the fat off the now incredibly dense lore of the Backrooms. It’s back to yellow wallpaper, tan carpets, oppressive lighting, and how people who wind up here deal with the mental toll of it all.

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Clark (Chiwetel Ejiofor) wanders the Backrooms. (Financial Times)

The cast brings their best, particularly Chiwetel Ejiofor as Clark, and it was a pleasure to see horror icon Mark Duplass of Creep fame in a supporting role. The cinematography, in tandem with the score, helps to create the pure creepy vibe of the Backrooms. Additionally, the found footage segments, a nod to Parsons’ YouTube series, are a welcome addition.

While the story suffers some sizeable pacing issues in its second half, it doesn’t take away from the filmmaking prowess at hand. Parsons took a big, bold swing for his first film, and he largely nailed it.

So how does this film create a metaphor for AI? To put it simply, it comes down to the nature of the Backrooms themselves.

From here on out, there will be spoilers for the film.

If you’re interested in watching it, I highly recommend doing so before continuing to read. If you want a score beforehand, I’d give it an 8.5/10, and a strong recommendation.

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Director Kane Parsons (left) and Chiewtel Ejiofor (right) behind the scenes on Backrooms. (LA Times)

Essentially, the Backrooms replicates the memories of anyone who has entered it and adds rooms based on those memories to its layout. It then repeats these memories over and over, creating more and more of these rooms.

However, there’s a catch. The Backrooms’ memory isn’t perfect, and as it remembers something more times, it remembers it less, getting more details wrong, such as misshapen paintings or couches clipping into the floor. These replications get simpler and cruder the more they are copied, to the point of becoming unrecognizable.

This is even replicated in the ‘Still Lives,’ poor imitations of human beings. Their appearances are distorted and even mutilated nearly beyond recognition, with improperly aligned and duplicated facial features, far too many fingers, and so on.

When putting all this together, the commentary at play here becomes clear. Just like the Backrooms, AI needs human input to create something – it cannot do it on its own. Even generative AI still needs prompting from humans to produce a result.

Another note of similarity is how both AI and the Backrooms will, in many cases, take things against the will of their owners. The people who enter the Backrooms do not consent to their memories being replicated; it just happens. Similarly, AI trains itself on anything it can find or is fed to it, such as art posted online, often against the wishes of, or completely unknown to, its original creators.

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A distorted and odd room in the Backrooms. (Geek Culture)

Similarly, as it receives more and more information, facts become distorted or are just plain wrong. It’s unreliable for many applications because it could just straight up lie to you. Think of all the times the Google AI overview has tried to feed you false information.

Like the Backrooms, AI doesn’t produce things on its own, because it can’t. It needs to take our ideas, our thoughts and memories, completely against our will, and attempts to replicate them to create its own reality, one twisted and distorted from what we know to be true.

While another strong reading of the film might be the Backrooms as a metaphor for memory loss and the trauma that can stem from it, considering Parsons’ stance firmly against AI, it’s unsurprising that his passion project can be read as a critique of it.

Rating: 8.5/10

Newfoundlanders making waves in the NHL and PWHL: Season Recap

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Over the last year we have seen a few Newfoundlanders and Labradorians suit up for professional hockey teams in both the National Hockey League and Professional Women’s Hockey League, here’s a look at how they did.

Alex Newhook

Canadiens Alex Newhook opens up on crazy feeling after Game 7 OT winner vs. Sabres
Newhook scored the series winning goal in both the Canadiens round one and round two series victories (Stan Szeto).

It is impossible to talk about the Montreal Canadiens run to the Eastern Conference Finals without mentioning St. John’s native Alex Newhook, who scored the series winning goal in both their first and second round victories.

After posting career lows in the 2024-25 season, Newhook entered this campaign looking to bounce back. Despite missing 40 games due to injury, Newhook posted 13 goals and 25 points in 42 games played, which was only one off his point total from the season prior.

However, it wasn’t his regular season performance that made headlines, but rather his playoff performance.

After starting the 2026 Stanley Cup Playoffs with only a single point in six games, Newhook scored the game winning goal for the Montreal Canadiens in their winner-take-all game seven against the Tampa Bay Lightning, clinching his teams spot in the second round.

He continued to shine in the second round against the Buffalo Sabres, scoring a whopping six goals in seven games, including the series winning overtime goal in another winner-take-all game seven.

Unfortunately for Newhook, the Canadiens run ended in the Eastern Conference Finals, losing to Carolina Hurricanes in five games.

Nonetheless, it was a very good season for Newhook, who proved he can perform when the lights shine brightest.

Abby Newhook

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Newhook had an impressive rookie season in the PWHL (PWHL).

Abby Newhook just wrapped up her rookie season in the PWHL.

After a successful college hockey career in the NCAA with Boston College and as captain in her final year, she moved on to the pro level, remaining in the city of Boston after being selected in the fifth round by the Fleet.

Newhook was on fire to start her pro hockey career, scoring three goals in her first four PWHL games.

In 29 games played, Newhook finished with seven goals, tying her for third on the team, while her 14 points ranked her sixth.

Newhook’s Fleet participated in the Walter Cup Playoffs, bowing out 3-1 to the Ottawa Charge in the semi-finals. Newhook posted an assist in four playoff games.

Dawson Mercer

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Mercer set the New Jersey Devils Iron Man record this season after playing in 402 straight games (NJDevils).

The Bay Roberts native has made a name for himself as one of the leagues most reliable players.

Since making his NHL debut in October of 2021, Dawson Mercer has yet to miss a single game. That’s 410 straight regular season games.

He actually made New Jersey Devils history this season, passing Travis Zajac for most consecutive games played in franchise history.

Among current iron man streaks in the NHL, Mercer ranks fifth.

In terms of his play this season, Mercer posted 20 goals and 42 points, which was statistically tied for his second most productive season in his pro career so far.

Unfortunately, his Devils had a tough season, missing the playoffs despite having high expectations.

Mercer earned an opportunity to represent his country at the 2026 IIHF World Championships, where he was in and out of the lineup playing in four games, as Canada ultimately finished fourth in an upset loss to Norway in the bronze medal game.

Ryan Greene

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Greene proved to be a valuable piece to the Blackhawks young core (Dan Hickling).

Coming off a successful senior year in the NCAA with Boston University which saw him captain the team and finish nearly a point-per-game, Ryan Greene was expected to enter this season as a solid contributor for the Chicago Blackhawks.

He played in 81 games for Chicago this season, scoring 12 goals and totalling 29 points, which are very solid numbers considering the role he was expected to have.

Throughout the season we saw Greene develop some chemistry with Blackhawks phenom Connor Bedard, playing first line minutes as Bedard’s left winger.

Greene proved to be a valuable piece to the Blackhawks young core and he will look to continue his development into next season.

Maggie Connors

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Connors has yet to miss a game in Sceptres franchise history (PWHL).

Since the inception of the PWHL, Maggie Connors has been a steady presence with the Toronto Sceptres, completing her third season with the team.

Playing in all 30 Toronto games this season, Connors posted three goals and two assists for five points. Since joining the PWHL, Connors has yet to miss a game.

After making the playoffs in their first two seasons, the Sceptres unfortunately missed the playoffs this time around, finishing six points behind the Ottawa Charge.

Still only 25-years-old, Connors remains an exciting you talent in a league that continues to grow tremendously.