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Local and national community show support for CHMR

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From radio personalities, to popular musicians, many have voiced their support towards CHMR over the last couple weeks after it was announced that MUNSU would be voting on its future April 1st.

Here’s a list of some people and organizations that have come out in support of the campus radio station.

Sandy Morris – Musician

One of the provinces most respected musicians and composer of the popular theme song to the television series Land and Sea, Sandy Morris, voiced his support for CHMR.

Morris credits the station as a positive resource in his career.

Tom Power – CBC

Host of the popular radio show “Q,” Tom Power got his start at Memorial University’s radio station.

He credits the station for helping him learn the basics of radio, which have helped him in his professional broadcasting career today.

Kelly McMichael – Musician

Winner of the 2025 MusicNL Album of the Year award, Kelly McMichael believes closing the station would be a mistake.

She says that CHMR is important in building and connecting listeners with the culture of this province.

Paddy Daly – Former Open Line Host

The former host of VOCM’s Open Line, Paddy Daly, one of the provinces most popular radio shows, credits CHMR as the catalyst for developing his skills in radio.

Daly says CHMR remains “an important piece of the music/media community of the entire province.”

Newfoundland and Labrador Federation of Labour

Representing over 70,000 workers across the province, the Newfoundland and Labrador Federation of Labour are “proud to add our voice the growing chorus of workers, faculty, students, alumni, and artists fighting to save CHMR.”

The union believes shutting down CHMR would be a loss for both the community and the culture of the province.

54-40 – Band

Vancouver based band 54-40, best known for their songs I Go Blind and Ocean Pearl, voiced their support for the campus radio station.

While they think FM radio needs to “adapt in terms of technology and market approach,” they state the station still serves as “a voice for those who don’t have one, like Indigenous communities, minority groups and local non-profits.”

Hugh Campbell, Stephen Lethbridge and Robert Shawn – OZ FM

All three credit the station for giving them the opportunity to host their own shows at OZ FM.

They say that CHMR gives voices to “an array of perspectives and voices that do need to be heard,” and that “musicians and artists from every background can still count on representation.”

Dr. Pamela Morgan – Musician

Lead singer of 19 years of local band Figgy Duff, Dr. Morgan wrote a letter to MUNSU in support of CHMR.

She believes keeping the station open to teach students about podcasting is “a vital service to the community.”

Newfoundland and Labrador Stuttering Association

Hosting a their own show on CHMR the last two years, the Newfoundland and Labrador Stuttering Association credit CHMR for helping them shine a light on an issue that affects many people.

They believe shutting the station down would “silence student voices, and especially the voices of students with disabilities who have so few opportunities to have their voices heard.”

Mike Campbell – K-Rock

Host of his own program on K-Rock, CHMR alum Mike Campbell made a post asking people to support the radio station ahead of MUNSU’s April 1st meeting.

Tom Wilson – Musician

Three time JUNO winner Tom Wilson voiced his support for CHMR.

He says that CHMR helps foster local culture, and provides a voice for those who are underrepresented.

Aside from the many public figures mentioned, we have seen many volunteers and students, both current and former, voicing their hope for the station to not be shut down.

The MUNSU Board of Directors will meet tomorrow to vote on a motion on the future of the station.

MUNSU Election Forum: Where the candidates stand on the issues

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Monday evening, the MUNSU Candidate Forum took place at the Breezeway. Each candidate spoke about their platform and what they would do as MUNSU executives.

Below is a breakdown on each candidate.

Isfak Ahmed Nehal – Executive Director of Finance and Services

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Isfak Ahmed Nehal is running for Director of Finance and Services (Instagram).

Isfak Ahmed Nehal introduces his goal of “fixing the issues first”. Explaining that his focus is on transparency, accountability, and communication regarding budgeting within the position.

Isfak plans to bring his previous experience to the table, where he said he has had a myriad of familiarity both with budgeting and with staff management.

He highlighted the importance of communication and understanding between staff and management, providing help and accommodations in order to stay goal oriented.

If elected, he says plans to bring an open line of communication regarding MUNSU’s financial decisions to the stakeholders and the student body alike. He will ensure statements are released on time and plans on communicating with student groups to ensure that they are not only aware, but involved in decisions being made.

By working collectively, Isfak hopes to keep CHMR open. He says that their work and their influence is invaluable to our students so it’s important to support them while we find a solution together.

Nathan Gillingham – Executive Director of Finance and Services

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Nathan Gillingham is running for Director of Finance and Services (Instagram).

Gillingham said he has two main priorities if elected: to prioritize budgeting for student life on campus, and to slash executive privileges such as course reimbursements, while ramping up operations and revenues from services like The Breezeway.

He suggested implementing more events, including a pool and dart league, and working with clubs and societies to achieve these goals.

Gillingham said it takes at least seven months to truly understand how the student union runs, describing it as “an operational machine.”

He said the student union requires experience and that he has a burning passion and has proven himself. Furthermore, he suggests implementing workshops, and hearing from the student body about what they want to see added to MUNSU’s services such as The Breezeway, The Attic, and more. He believes students should have direct feedback into where their finances are going.

On the potential closure of CHMR, Gillingham says that “it’s not a problem with CHMR,” and we should be proud of the service. He also states that young people have a “different media landscape” and that “not a lot of young people listen to the radio.”

He adds that it would be best for “CHMR to pursue independence,” and that it “shouldn’t be on the back of students who don’t use this service.”

Ziad Ahmed – Executive Director of Finance and Services

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Ziad Ahmed is running for Director of Finance and Services (Instagram).

One of the goals Ahmed highlighted at the forum was for more transparency with how MUNSU handles its finances.

Ahmed believes that knowing “where the students want their money to go” and setting weekly, monthly and yearly goals with MUNSU finances will help create more transparency and help them manage their finances better.

He made an emphasis on listening to students’ ideas and stressed the importance of having someone who knows how to work with the students. 

Lastly, in regards to CHMR. Ahmed said “we can’t view CHMR as another financial liability and just go on our day with it… this is not just a [single] department issue, we are facing this issue in multiple other departments.”

Stephen

Stephen Ehigie – Executive Director of External Affairs, Communications and Research

Ehigie believes both his experiences serving on board of directors and as Black Student Representative makes him a qualified candidate for this role.

The main goals Ehigie would like to achieve should he be elected would be to reduce tuition for all students at MUN, and also to ensure that students who are in work terms are getting paid for their work.

He also highlighted an identity crisis at MUNSU, claiming many students aren’t even familiar with MUNSU, even though they fund the union.

He believes one way to fix this issue would be by being in constant communication with students, and while stressing the importance of social media, that “nothing is better than in person communication.”

In regards to CHMR, Ehigie said “I genuinely believe that CHMR needs to be cut off,” mainly because of the $300k deficit MUNSU is facing.

Taqi Yeasir – Executive Director of External Affairs, Communications and Research

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Taqi Yeasir is running for Director of External Affairs, Communications and Research (Instagram).

Taqi is running on a simple slogan: “Save MUNSU, save MUN.” He believes that addressing many of the issues MUN has been facing lately start with building a strong, resilient student union to be the voice of the students.

He aims to lower tuition, and bring better healthcare for students. He has experience speaking with media, and hopes to increase student participation in order to better achieve his goals.

He’s also choosing to hang his hat on the idea of bringing back homecoming. He knows what he wants to do is a lot, but remains undeterred. He said it himself: “I will keep my promises.”

Rana Abuidris – Executive Director of Campaigns

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Rana Abuidris is running for Director of Campaigns (Instagram).

Seeking re election in her role, Rana is looking to wrap up her unfinished business should she return to MUNSU.

She wants to address unpaid work terms for students, and institute need-based scholarships for students from war-torn countries. She wants to institute a donor portal for MUNSU, allowing people to easily donate towards student bursaries.

She says that there will be no more fake promises with her in the picture. Rana is vying to go for round two as an executive, and thinks this second year will allow more possibilities to fulfill her goals at MUNSU. She believes that “one year is not enough for meaningful change.”

Sanaa Mrad – Executive Director of Advocacy

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Sanaa Mrad is running for Director of Advocacy (Instagram).

Sanaa Mrad is running for Director of Advocacy with a focus on improving accessibility around campus. She is one of three candidates running for uncontested positions. Her campaign prioritizes accessibility, such as the lack of elevator maintenance around campus, along with better communication between the student body and the people of MUNSU.

While Sanaa may be a first time runner, she has previous experience with the student union and through that, aims to utilize this knowledge to make campus life more inclusive and responsive.

Director of Student Life candidate, Blake Colbran, was unfortunately unable to attend the event due to academic responsibilities.

Voting is now open for undergraduate students from March 31st to April 1st.

Muse-ic Review: self-titled EP by Suburban Architecture

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Unlike the actual architecture commonplace in the suburbs, Suburban Architecture’s self-titled EP is honest, and full of soul. 

Independently released on February 1, Suburban Architecture has influences of emo and folk punk. The EP’s somewhat ‘unpolished’ qualities work entirely to its advantage, avoiding the sameness plaguing some facets of the modern music industry that churns out records with songs reminiscent of those labyrinthine streets lined with identical houses.

Even the band’s name is an apt metaphor for their approach to music – hailing from Torbay, Suburban Architecture possesses a confessional quality that confronts suffering head-on rather than thinly obscuring it with picket fencing. 

Suburban Architecture opens with “Goodbye Letter,” a sprawling, stream-of-consciousness song, half spoken-word and half sung. Singer Damien Fitzgerald derails a hurried story of a relationship gone awry, the romantic allure of unhealthy coping mechanisms, and how we attach memories to senses.

The opening track is significantly more lo-fi than the rest of the record, but it’s a great segue into louder songs with healthy guitar mixes and appropriately detailed licks characteristic of the emo genre. 

“Piggish” is also a standout track on the band’s self-titled project for its charming production choices and lyrical narrative. 

The song paints a vivid picture of feeling especially aimless during the colder months, describing a past event personally formative to the speaker that “started in a shitty little parking lot / where I got myself so lost.” Nothing screams ‘Newfoundland suburbia’ like hanging out in parking lots because there is, quite literally, nothing else to do. 

In this way, Suburban Architecture situates itself within a larger network of Newfoundland-based alternative bands who creatively interrogate just how monotonous living here can feel sometimes, exacerbated by the rain, fog, and various states of uncertainty.

I’m enjoying listening and relating to these types of projects as they come out, but seriously – are you guys okay?

On that note, “Province” describes the feeling of growing up hating a place, only to feel homesick once you leave it. A recurring theme throughout the EP appears to be reflecting on dealing with substance abuse as well, something quite normalized in Newfoundland, as folks attempt to dispel some of that monotony. 

The final song, “End-Roll,” features what I think is the best guitar work on the album, and it ends by repeating the lyrics“I can’t change / I couldn’t change for the better/ even if I tried.”

The EP is fantastic, but I respectfully disagree with this sentiment. It takes a lot of courage to admit defeat, reject the ease and ‘unchanging’ of suburban stagnation, admit what scared you before, and what scares you moving forward, still. With Suburban Architecture, it’s clear that the band members are ready to be honest – and admirably so. 

The band announced their split in tandem with their EP release, citing their lead singer moving away as the reason for the “end of suburbia.” 

However, the EP exists as a great-sounding snapshot of change, heartbreak, catharsis, and most importantly, the unique introspection that accompanies residing in, as I call it, ‘St. John’s adjacent but not quite.’

OPINION: Approving Bay du Nord is a financial mistake

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As a lifelong resident of Newfoundland and Labrador with deep family ties, the recent announcement from Premier Wakeham regarding Bay du Nord is deeply concerning to me—both for environmental reasons and financial reasons.

On Tuesday, March 3rd, NL Premier Tony Wakeham announced the signing of an agreement with Equinor and BP to pave the way for the construction of the controversial offshore oil megaproject, Bay du Nord, located around 500 kilometres northeast of St. John’s in the Flemish Pass Basin—reaching up to 1,200 metres deep.

The estimated $14 billion project, which has yet to receive investment approval, would be Canada’s first ever deepwater oil development and Newfoundland and Labrador’s first offshore oil project since Hebron.

First discovered in 2013, Bay du Nord has been in talks for over a decade. A 2018 statement estimated official approval by 2020 with first oil produced by 2025, when the province was under the leadership of former Premier Dwight Ball. 

Since then, Bay du Nord has been continuously delayed, largely owing to volatile economic conditions.

In 2023, three years past the initial expected deadline for approval, Equinor announced that the project would be postponed for up to three years “in the face of challenging market conditions.”

The location of the development site outside of Canada’s Exclusive Economic Zone—in international waters—exacerbates financial concerns, with Ottawa agreeing to pay fees related to the United Nations Convention on the Law of the Sea that may reach up to $1 billion in taxpayer funds.

Despite rocky market conditions, Equinor and partners present Bay du Nord as a boon for the province and country’s economy, suggesting the development will create thousands of jobs, up to $20 billion in government revenues, and $50 billion in total GDP contribution.

Although Premier Wakeham and project proponents have sold Bay du Nord as an economic opportunity for Newfoundlanders and Labradorians, allegedly expected to generate $6.4 billion in direct revenues for the province, the global fossil fuel market paints a different picture for the financial viability of future extractive megaprojects such as Bay du Nord.

The International Energy Agency (IEA) announced in 2021 that no new oil and gas projects could be approved beyond that year, if the world has a chance of meeting global climate targets to achieve net-zero carbon emissions by 2050, and maintain the mere opportunity of keeping the global temperature rise at 1.5 degrees celsius.

The International Institute for Sustainable Development (IISD) has further emphasized the importance of not approving new fossil fuel megaprojects, with research demonstrating that existing oil and gas developments are sufficient to sustain global economies during the transition to renewable energy.

Given the legally-binding commitment of global leaders to achieve net-zero emissions by 2050 as part of the Paris Agreement and the wealth of data that indicates construction of new fossil fuel projects makes this target nearly impossible, it is deeply confusing and troubling to support a project that is not expected to produce first oil until 2031, and has the stated potential to extract 430 million barrels over a period of 20 to 30 years—years after 2050.

Premier Wakeham went so far as to say “Bay du Nord is not the finish line of our ambition in this sector. It is the starting line,” suggesting possible continued investment in similar developments.

Beyond environmental implications related to global temperature rise, of which there are plenty—such as, extreme weather events, loss of biodiversity, mass extinctions, ocean acidification, risks for fisheries and agriculture, and more—there are significant economic risks associated with doubling-down on fossil fuel investment.

A 2025 IISD report indicating up to 66% of Canada’s future capital investments in fossil fuel megaprojects are at risk of becoming stranded assets. 

Political support for fossil fuel development among global leaders has proceeded to rise in the face of skyrocketing oil prices related to energy shocks as a consequence of Russia’s invasion of Ukraine and the current US-Israel war on Iran.

Canadian leaders, including current Prime Minister Mark Carney and former Premier Andrew Furey, have taken advantage of globally-reaching geopolitical crises to present Canada and NL’s oil as a “green” or low-carbon alternative, which climate scientists have disputed

image

Chart demonstrating volatility of global crude oil prices in response to geopolitical events

Ironically, as the former chair of the Financial Stability Board Task Force on Climate-related Financial Disclosures, Mark Carney stated that a carbon budget consistent with a 2 degree global temperature rise, “would render the vast majority of reserves ‘stranded’—oil, gas, and coal that will be literally unburnable without expensive carbon capture technology,” which has not yet been proven to be effective.

Political leaders have yet to take necessary actions to manage the global energy transition and have stubbornly clung on to notions that the fossil fuel industry is critical to Canada and Newfoundland and Labrador’s combined economies; nonetheless, the data supports a global decline for the fossil fuel industry leading to 2050, which is occurring largely independently of government management or energy transition policies.

Current research suggests that global demand for fossil fuels may reach its peak by 2030, carrying a significant risk that high-cost oil producers, such as Canada, will be among the first to get pushed out of the global market as the fossil fuel market faces oversupply.

Without an adequate plan to manage an energy transition aligned with the Paris Agreement, this peak in demand could have devastating impacts on Canada’s biggest oil producers, including Alberta, Saskatchewan, British Columbia, and Newfoundland and Labrador.

NL’s oil and gas revenues would be eliminated nearly entirely, dropping from $4.4 billion to $300 million.

A report from the Centre for Future Work reveals the amount of Canadians directly employed in the fossil fuel sector is relatively small, comprising around 1% of total employment, of which most are near retirement age.

The report also indicates that despite Canada ramping up oil and gas production, employment in Canada’s fossil fuel sector has declined by 38,000 jobs since the sector’s employment peaked in 2014—losses which took place mostly without any government oversight or targeted support for impacted workers. 

Meanwhile, owing to geopolitical pressures, record low costs, and global emissions reductions targets, renewable energy is booming—providing an alternative energy source that is not dependent on imports or volatile energy markets.

Even though Canada has yet to fully take advantage of this unique opportunity, the growth of employment in renewable energy outpaces the wider economy and could offset potential losses—Natural Resources Canada estimates that 400,000 low-carbon jobs could be created by 2030 alone. 

These realities make it even harder to understand why the Government of Newfoundland and Labrador would continue to invest in a likely high-risk, low-reward megaproject that may end up being even more expensive than was originally projected.

The Government of NL should instead take advantage of the province’s wealth of natural resources (e.g. offshore wind and solar) and the continuously decreasing costs of installation and maintenance of renewable projects to protect our beautiful lands while growing our economy. 

There is a way forward that neither sacrifices our land and sea, nor our energy workers. We can choose a path that recognizes the climate crisis and the cost of living crisis as related issues.

A path that invests in community-owned renewable energy projects which have, in some cases, eliminated energy costs for consumers and generated revenue from surplus energy that may be directly reinvested in the community. 

It is past time for Newfoundland and Labrador to say no to oil megaprojects, say no to climate destruction, and build a truly sustainable and just economy. Bay du Nord cannot be a part of the drastic change for a better future this province so desperately needs.

The Canadian media renaissance continues with Nirvanna the Band the Show the Movie

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If you could time-travel back to 2008 Toronto in an RV powered by a discontinued drink that looks like a lava lamp with boba in it – what’s the first thing you would do? 

Best friends Matt Johnson and Jay McCarrol know the answer: see a screening of The Hangover, visit their younger selves, and massively disrupt their current timeline. 

Adapted from cult-classic comedy web series ‘Nirvanna The Band The Show,’  Nirvanna The Band, The Show, The Movie (which is not about the grunge rock band fronted by Kurt Cobain) is a mockumentary-style Canadian-core spoof of Back To The Future, and it might be one of the most inventive films I’ve seen.

The film follows best friends Matt Johnson and Jay ‘Bird’ McCarroll, founding members of ‘Nirvanna the Band’ — which isn’t really a band at all, Jay just plays piano and Matt just kind of stands there in a fedora and occasionally yells something — while they devise increasingly elaborate and childish schemes to book a show at Toronto venue The Rivoli. 

Their master plan? Skydive (skydove? skydiven?) off the top of the CN Tower into the Skydome to announce to attendees of a Jays’ game, before they’ve even booked the show, that they are playing The Rivoli – tonight

Obviously, this does not go well, which leads them to build a time machine, accidentally travelling back to 2008, and finding themselves in a sticky situation when the timeline gets messed up. 

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(Hundred Tomatoes)

From a production standpoint, Nirvanna The Band, The Show, The Movie, is a complete anomaly. 

Filmed almost entirely script-less, with archival footage, legally ambiguous stunts, deliberate gaming of copyright fair use law, DIY and practical effects, and some hilarious real-world interactions, the fact that this film even exists is unbelievable. 

The entire runtime of the film, I asked “how did they do that?” so many times, I lost count. 

The filmmakers created an entire narrative around unused footage from their web series, which is how the ‘time travel’ is made impressively realistic. Not everyone can delve into their hard drive and make a masterpiece.

It’s hilarious, too. They literally set a Toronto street on fire for this film. Gags like Matt’s seemingly never-ending supply of whiteboards, the impossibly long extension cord going from the top of the CN Tower to street level had me giggling. 

Just the concept of skydiving off the CN Tower, only to mess up the plan, and then climb back up later to throw down an extension cord to power your dated RV time machine, is genius.

McCarrol and Johnson still have not revealed how they filmed the CN Tower sequence, as they fear it would get them in legal trouble.

Without spoiling too much, perhaps the best joke in the film is when they time-travel back to 2008 and decide to see a movie. The marquee theatre is packed, and The Hangover is premiering, but Matt becomes incredibly distressed when he hears people crack up at a homophobic slur, and only then realizes their time machine actually worked. 

Matt Johnson’s clothing choices, perpetual bewilderment, and goofy ‘himbo’ disposition work excellently combined with Jay’s earnest and equally hilarious go-along-with-it personality. Their dynamic is perfect for this kind of film – charming, a bit stupid in a good way, and slightly homoerotic at times.

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(Toronto Today)

With the insanity around Heated Rivalry, and the success of Nirvanna The Band, The Show, The Movie, Canadian media is truly having its moment right now. 

It’s well deserved, too. Though popular culture is massively Westernized, it largely focuses on America, which is…well… let’s just say I’m not surprised people are jumping to support Canadian media right now.

It feels oddly patriotic – obviously, Canada has its own deep systemic issues, but I’m proud to say that one of my favourite movies at the moment is by Canadian filmmakers.

Unfortunately, NTBTSTM is no longer in theatres in St. John’s, which I would argue was the optimal viewing experience. If I could, I would easily see it five more times. I haven’t seen the web series yet, but I know what I’m doing after exams.

It’s now available to stream online and buy on DVD/Blu-ray. Just whatever you do, don’t watch this on your laptop or iPad in bed or while doomscrolling – get some friends together and you’re guaranteed a good time. 

5/5 

Recap: Round one of the QMJHL playoffs begin in St. John’s

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Playoff hockey has finally returned to Newfoundland, as the first round of the 2026 QMJHL Playoffs are underway.

Entering the playoffs with high expectations, the Regiment would split both games against the Eagles, as the series is now tied 1-1.

Regiment drop game one 3-2

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The Regiment dropped game one of the series 3-2 (Anuoluwapo Abosede/The Muse).

In front of a packed Mary Browns Centre Thursday night, the Regiment didn’t exactly start this game on time.

For the first five minutes of the game, Cape Breton had Newfoundland pressed in their own zone, applying a ton of pressure early.

However, the Eagles would kill their own momentum by taking two penalties back to back, and Newfoundland took advantage.

Captain Justin Larose scored the first playoff goal in Newfoundland Regiment playoff history on the powerplay, giving the home team an early lead.

Aside from that early goal, Newfoundland didn’t have a lot of momentum during this game. Maddex Marmulak scored the other goal for Newfoundland, which at the time regained their lead, but that was also short lived as Cape Breton would tie it for a second time.

Caden Kelly would score the game winner in what was a disastrous third period for Regiment that saw them be completely shut down by Eagles goaltender Felix Hamel and the rest of the team.

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Cape Breton Eagles’ Félix Hamel (No. 70) draws on the ice with his stick during the first game of the series. (Anuoluwapo Abosede/The Muse)

Post game, head coach and general manager Gordie Dwyer told reporters “Cape Breton did a really good job of slowing us down and clogging some lanes.”

“I thought for us there were opportunities to push the pace a little bit more and be a little more connected on our exits through the neutral zone.”

Regiment win game two 6-2, bounce back big time

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An overview of the second game in the Regiment/Eagles series (Anuoluwapo Abosede/The Muse)

Newfoundland had a lot on the line entering game two. Heading to Cape Breton down 2-0 in the series would have been a disaster, and their backs would have been completely against the wall.

This game felt different from the night prior, with the Regiment overall looking a lot better in the opening frame, proven by a Blake Pilgrim-Edwards goal to open their scoring early.

The second period started off even better, as Dawson Sharkey sniped one by Hamel in the opening two minutes of the period, before Justin Larose would add to that tally two minutes later.

Up 3-0, Newfoundland was on a high, but that quickly changed, as Dawson Sharkey received a five minute major and a match penalty for a dangerous blindside hit on Eagles forward Eliot L’Italien.

The subsequent five minute powerplay allowed the Eagles to get back in the game, as Reece Peitzsche scored his first of the playoffs. Later in the period, Raoul Boilard would score his second of the playoffs, cutting the deficit to only 3-2 entering the third period.

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Newfoundland Regiment’s Pilgrim-Edwards (No. 7) skates towards the puck on opposite side of the rink after a heated play. (Anuoluwapo Abosede/The Muse)

Newfoundland regained their momentum from early in the second and exploded offensively, scoring a total of four goals in the frame, with Justin Larose and Blake Pilgrim-Edwards each scoring their second goals of the game. Alexis Michaud also added four assists and was the first star of the game.

Series shifts to Cape Breton

The next three games of the best of seven series will take place in Cape Breton. Should either team win all three games in Cape Breton, the series will end in five games.

However, if each team wins at least once, the series would come back to St. John’s for a potential game six and seven.

Game three is Tuesday night at 7:30pm Newfoundland time.

NL artists submit 96 entries to RPM Challenge 2026

I listened to some of the local submissions featured in this year’s RPM challenge, administered by UnPossible NL. Out of the 450 submissions, NL accounted for 96!

The selection was fruitful – and impressive considering that participants only had four weeks in February to create an original project for the challenge. This project fosters a sense of innovation and creativity, which is much needed in today’s climate.

I thoroughly enjoyed listening to some of NL’s unbelievably talented musicians, and I highly recommend you check out the submissions as well. Here are some of the ones that stood out to me, and will certainly be added to my rotation of tunes.

Again – Milligan (Again)

(RPMchallenge.com)

This track felt like a gentle embodiment of spring – the type of song you’d listen to on a walk during a dewy, hazy morning. The tune featured soft vocals and mellow instrumentals, layered over a piano that epitomized tranquillity.

fear of a clear blue sky (Return Policy Manager) – Hunting Billionaires for Sport

(RPMchallenge.com)

I’m going to be honest, what drew me into this was the rich and kinetic album cover. The track certainly did not disappoint; I think it was one of the most exciting tracks I’ve heard from the vast selection presented by the RPM challenge.

It featured a groovy guitar and sinister, fun rattling noises that naturally made me feel like I was a spy in some cliché 2000s movie. Stealthy and zesty, smooth and ambient; I will most definitely be keeping an ear out for more from Hunting Billionaires for Sport (sick band name as well!)

Ice on The River (James Merriweather’s New Cartographies of Sound)James Merriweather

(RPMchallenge.com)

This track immediately reminded me of Ana Roxanne, an artist who embodies ambience as Merriweather does. This album, not just the track, is perfect to fall asleep or study to.

Tranquillity and serenity adequately sum up this delicate creation. I’m excited to delve more into Merriweather’s works after this listen.

pixels bleed (if yr cool I don’t fw you)by chump – Rock

(RPMchallenge.com)

From the album if yr cool i dont fw you, I think this is cool, and I do fw it.

In all seriousness, this reminds me of the early 2000s in the absolute best way. I love the titles of all of the tracks, the band name, and especially the album cover. The lyrics are relatable down to their core – “If I could, I would disappear into the screen with every single shining pixel bleeding through me.”

I adored this submission with my whole heart.

Eye For You Sky Parish

(RPMchallenge.com)

I’ll admit it, as much as my younger self would not like to admit, I am a sucker for some pop music. The album cover is playful and fun, and I really liked the track title.

The song is about “reconnections, written at a stoplight, recorded in a basement, performed with love,” which I think perfectly encompasses this playful jingle. This submission feels like a drop of sunlight beading in through the window during a summer road trip.

The Washing Machine – Evan West (shown in the chamomile leaves)

(rpmchallenge.com)

Amazing and magical. This submission from West is innovative and impressive, considering the short time frame participants are provided.

“Reverberant guitars” and “FM synthesizers” dance intricately and intensely with each other near the end of the track, embodying that of a washing machine, just more intentional and musical. This album is so refreshing, it is worth many, many listens.

(@rpmchallenge on Instagram)

Without a doubt, many innovative projects have come out of the RPM challenge for the past twenty years.

I highly encourage you to check out the rest of the submissions and witness the amazing talent we have here in NL.

Lawnya Vawnya drops lineup for 2026 festival

Lawnya Vawnya is a local non-profit festival of music and art showcasing talented artists hailing from St. John’s to the west coast of Canada. 2026 marks Lawnya Vawnya’s 16th festival, which will run from June 3-6.

The organization keeps innovation and creativity alive, providing ample opportunity for people in all artistic disciplines.

This year, the festival will offer a plethora of musical performances, accompanied by workshops, artist talks, panel talks, a two-day merchandise and print fair, pop-up events, and a music crawl through the heart of St. John’s.

Last year’s Downtown Music Crawl featuring musician Fraud Perry in Fred’s Records (@lawnyavawnya on Instagram)

These musical performances will embrace many genres, such as alternative, rock, punk, pop, electronic, techno, and more!

Take a look at the 2026 lineup, featuring some local talent:

  • AEXEL (electronic)
  • Cable TV (post-punk/rock)
  • chump (alt-rock)
  • Corey Clocksy (dj/electronic)
  • Desperatá (punk/post-punk/hardcore)
  • Fairweather (pop-punk/ power pop)
  • Feminotica (gothic dance-pop)
  • Invisible Hand (hardcore punk)
  • Kelly McMichael (alt pop-rock/jazz)
  • Kubasonics (speed-folk/trad-dance)
  • MANTRACKER (punk/hardcore-punk)
  • QUIN (dj/techno)
  • Sick Puppy (punk/rock/emo/hardcore)
  • Zaynab Wilson (jazz/soul)

Some out-of-province musical acts that will accompany local talent include:

  • Cassia Hardy (alt/indie rock – Edmonton, AB)
  • CPR (dj/electronic – Halifax, NS)
  • Dear Evangeline (hardcore/metal – Brampton, ON)
  • DJ Decision & Aniiiiiiiiiiiiiiiiiita (dance – Halifax, NS)
  • Èbony (techno – Toronto, ON)
  • fanclubwallet (indie/rock – Ottawa, ON)
  • Fiver with the fiver trios (country/folk – Toronto, ON)
  • G̱a̱mksimoon (alt – Prince Rupert, BC)
  • HRT (ebm/electronic/hardcore – Montreal, QC)
  • JayWood (alt/hip-hop/indie-rock/bedroom-pop – Montreal, QC)
  • Kiwi jr. (rock/indie/indie-pop – Toronto, ON)
  • LICE (death metal/hardcore/punk – Brampton, ON)
  • Miesha and The Spanks (garage-rock – Calgary, AB)
  • Narcy (hip-hop – Montreal, QC)
  • Shunk (post-punk/dreampop/shoegaze/indie-pop/opera – Montreal, QC)
  • Slash Need (electronic/punk/dance/pop/techno – Toronto, ON)
  • UZU أوزو (hardcore punk/anarcho-punk/arabic-punk – Montréal, QC)

The festival will also bring other interdisciplinary talent, such as:

  • Country Cookin’ (multidisciplinary artist/community organizer – NL)
  • Gravy (drag – NL)
  • Jem Woolidge (multidisciplinary artist – Montreal, QC)
  • Joanna Barker (singer/songwriter – Charlottetown, PEI)
  • Kate Lahey (multidisciplinary artist/researcher – NL)
  • Matt Horseman (writer/photographer – Winnipeg, MB)

Lawnya Vawnya is also pleased to bring in Maria Neva, author of the novel “Good Citizens Need Not Fear”, which is set in an apartment block in Ukraine. Neva was also long-listed for the 2025 Booker Prize and won the Atwood Gibson Writer’s Trust Fiction Prize.

(@lawnyavawnya on Instagram)

Lawnya Vawnya continues its tradition of showcasing Canada’s independent talent, with this year’s lineup looking stellar. The festival stays true to its mission – spotlighting nation-wide talent and creativity.

Three executive candidates uncontested in MUNSU elections

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The Muse has received the nominations for the upcoming MUNSU general election.

Three of the five executive positions: Director of Campaigns, Director of Student Life, and Director of Advocacy, only have a single person running. Executives running without competition will still have to win a majority approval in order to win their positions in a confidence vote.

The election will take place March 31 and April 1. Voting will take place both online.

Here is the full list of nominees for the five executive positions:

Director of Finance and Services

  • Isfak Ahmed Nehal
  • Nathan Gillingham
  • Ziad Ahmed

Director of External Affairs, Communications and Research

  • Stephen Ehigie
  • Taqi Yeasir

Director of Campaigns

  • Rana Abuidris

Director of Student Life

  • Blake Colbran

Director of Advocacy

  • Sanaa Mrad

Three of the five executive directors from last year are running once more. Abuidris and Colbran, both with no competition, are running for the same positions, while Gillingham is pivoting from External Affairs to Finance and Services.

GSU’s AGM adjourned early, dissolution vote pushed to April

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The Graduate Students’ Union (GSU) Annual General Meeting had been planned to address proposed fee increases and the petition for dissolution. It adjourned early as students and executives appeared unable to make major progress.

The AGM is planned to continue on April 7, and a vote on dissolution is to take place on April 8.

Over 180 graduate students attended the AGM on March 25th, in-person and online.

Starting shortly after 6pm, the meeting was intended to be co-chaired by a former GCSU president, Hadiza Bello and the GSU Chief Returning Officer, Chinedu Wisdom.

President of the Teaching Assistants Union (TAUMUN), Kieran Knoll, motioned to exclude Wisdom because of public statements he had made, which Knoll said would make him a biased chair. The motion passed to ratify only Bello as chair.

An anti-harassment officer, Kassie Drodge, and Dean of Graduate Studies, Amy Warren, were also present.

Around 6:30 pm, GSU executive motioned to adopt the agenda for the AGM. One student proposed an amendment to move the dissolution discussion and vote from 7:45 pm to 6:45 pm.

They cited issues of prior commitments, saying that many students were not able to stay for a full 3-hour meeting, and they still wanted everyone in attendance to have a say.

This prompted further discussion about the lack of information and official documentation circulated in advance, which many students in attendance took issue with.

According to the GSU’s constitution, meeting minutes, executive documentation, and financial reports are required to be uploaded at least 5 days before the AGM.

According to the GSU’s Executive Director of Communications, Gaayathri Sukantha Murugan, meeting minutes from February 2025 to the present were uploaded sometime on Tuesday, March 24.

By this point, spirits were high, and the energy in the room was tense. Many students in attendance were scrambling for a chance at the microphone, raising various points of concern to both the GSU executive and the meeting chair.

Overall, many students criticized the GSU during this meeting for what they characterized as general unpreparedness, unconstitutional behaviour, and disorganization.

By 7pm, membership had not yet voted to ratify the meeting chair or to move the dissolution vote to 6:45 pm, a time which had since passed.

The meeting chair proposed that membership use this meeting as an ‘information session’ for another subsequent AGM, where students would be more informed.

The meeting chair was then criticized by student participants for attempting to influence the outcome of the meeting.

Also at this time, executives and the meeting chair backtracked to identify non-GSU membership, including Muse staff, CFS-NL, and MUNSU executives, to ensure votes were counted accurately.

A student in attendance online called the AGM “a mess” and “a logistical nightmare.”

Eventually, the motion to move the dissolution vote to earlier in the AGM was not passed.

Following this vote, student membership in attendance online issued complaints about a lack of instruction regarding how to vote on motions online, and criticisms about Google Meet being an ‘inappropriate’ platform for an online option to join the AGM.

Throughout the meeting, the Google Meet was glitching, and due to the number of participants, some students were unable to use the ‘raise hand’ function or type in the chat.

Many members who joined late were also not admitted to the Meet right away, and therefore were absent from votes on motions and/or amendments. Concerns on how to confirm attendees’ status as graduate students without breaching privacy for proper voting were also raised.

At this time, another student raised a concern about turning the AGM into an information session and postponing the AGM.

They stated that the original dissolution petition, put forward by TAUMUN executive, had proposed a separate Extraordinary General Meeting for the sole purpose of discussing and voting on dissolution, to be held no later than March 18.

The student said that to postpone again would be a stall tactic.

GSU recently held an Emergency Meeting where they decided to merge this discussion and vote with the AGM.

Concerns about access if the meeting were to be rescheduled were also raised by other students, as some people travelled between campuses or requested time off work to attend the AGM.

Some advocated for a transparent, third-party voting system that ensures all voters are part of GSU membership and that their privacy is guaranteed.

Over an hour into the meeting, the agenda had not yet been adopted by the membership.

TAUMUN executive in attendance emphasized that GSU executive should have been prepared for their AGM, and to not vote on dissolution today would be wasting everyone’s time.

After some back-and-forth, attendees voted to adopt the agenda by 7:30 pm. One student piped up and said, “this is like a shitshow,” which garnered both laughs and applause from the room.

The next topic on the agenda was to adopt the meeting minutes from the Fall 2025 AGM.

Students in attendance pointed out that meeting minutes were not posted to GSU’s website with sufficient time to read them all. This motion did not pass.

Immediately following this, GSU Board of Directors representative Spencer Scott proposed a motion that the meeting be adjourned early, the executive committee distribute all necessary documents, and another AGM to be held on April 7, with an anonymous vote on dissolution to be administered on April 8 via Qualtrics survey.

The motion passed with 117 students in favour and 3 against.

The meeting then adjourned around 8 pm, meaning that the GSU’s AGM did not cover any other items on its agenda, including the recognition/ratification of graduate clubs and societies, a financial update, executive directors’ work reports, discussion and vote regarding the dissolution petition, the union’s elections for the upcoming academic year, or discussion and vote regarding the referendum to increase membership fees.

Reactions from executives

Following the AGM, GSU Executive Director of Communications, Gaayathri Sukantha Murugan, said that “I definitely think today was very contentious and people have a lot of feelings which I completely understand. It’s a very complicated situation.”

She said that the GSU will go ahead with the new meeting and voting times as motioned by Scott, saying that “our executive is going to do our best to fix and anticipate the technical difficulties that might pop up again.”

Kieran Knoll, President of TAUMUN, told The Muse that he was “incredibly disappointed at the fact this meeting was standstill and essentially theatrically paused because there was no actual effort put into the chairing of this meeting. There were no logistics to verify the voting or the membership. There was no separate online moderating.”

“It was an absolute mess, and for students to be in a meeting for an hour and a half just discussing the agenda shows the state of GSU and how incompetent they are to manage this crisis we’re facing,” Knoll said.

Knoll expressed disappointment with the lack of available documentation and what he believes to be undemocratic inefficiency in the union’s governance.

He questioned whether or not membership can trust that a dissolution vote will go ahead at all, because he does not “trust the executive to run their meetings and their votes as they should, as the constitution requires.”

“It was just from the get-go very confusing,” said Spencer Scott, Board of Regents representative on GSU, who raised the motion for early adjournment, coupled with increased transparency and a second meeting at a later date.

“It felt like we were just running around in circles, and it felt like you could feel the room getting tense as the evening went on, which is why I stepped up and decided to motion to adjourn because, in all honesty, it seemed like the executive needed more time,” Scott said.

“The reports are supposed to be out five days ago,” they said. “Students deserve to have the time to look over these reports and not just be fed the information in front of them. So I think it’s only fair that the AGM be pushed until all of the correct papers and documents are ready to be given to students with enough time to comprehend them.”

Another AGM will take place on April 7, and a dissolution vote will take place on April 8.

The Muse will provide updates as the story progresses.