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MUNSU 2025 General Election Results

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After an arduous month of campaigning, the official results were shared with the undergraduate body.

Students gathered in the Breezeway for the closing of the voting period for the MUNSU’s 2025 General Election. The results are due to be finalized by MUNSU in a ratification meeting over the next couple of weeks.

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Members of the incoming executive board (FB/Mary Shortall)

Listed below are the election results:

Executive Directors:

Executive Director of Finance

Farhan Probandho 587 Yes | 108 No

Executive Director of Campaigns

Rana Abuidris 596 Yes | 114 No

Executive Director of  Advocacy

Mabrur Islam 613 Yes |96 No

Executive Director of Student Life

Blake Colbran 537

Maahin Khan 396

Executive Director of External Affairs, Communications & Research

Nathan Gillingham 660

Milad Tarhoni 97 

Board of Directors:

Nursing Students’ Representative 

Brooklyn Kelly 42 Yes – 2 No

Social Work Students’ Representative 

Hannah Babstock 47 Yes – 1 No

Engineering Representatives

Samantha Leonard – A 81 Yes – 17 No

Aayushman Srivastava – B 98 Yes –  7 No

Center for Nursing Studies Representative 

Chioma Ehigie 386 Yes – 57 No

Business Representatives (2/2)

Jordan Dean 74

Tobi Emioladipupo 56

Parneet Kaur 50

Rubayat Tasneem Hossain 45

Srizon Dip Talukder 44

Humanities and Social Sciences Representative 

Sanaa Mrad  118 Yes – 19 No 

Juairya (Joyee) Abdullah  106 Yes – 26 No 

Hasan Habib  110 Yes – 26 No 

Science Representative (3/3)

Rebecca Penton 176

Julian Sutton 142

Agu Blessing 102

Taqi Yeasir 102

Maiza Asif 97

Sarkar Saad Ahmed 63

Human Kinetics and Recreation Representative

Colby Dalton 0 Yes – 0 No

Pharmacy Representative 

Jenny Bijoy 8 Yes – 1 No

Black Student Representative

Stephen Ehigie 326

Kiama Diai 273

Paton College Representative

Ziad Shokry Ahmed 37

Mitchell Walters 30

ISC Representatives:

ISC President

Quazi Abrar  334 Yes – 128 No 

ISC VP Finance

Isfak Ahmed Nehal 371 Yes – 64 No

ISC VP Marketing

Rubayat Tasneem Hossain 379 Yes – 64 No

ISC VP Events

Stephen Ehigie 419 Yes – 62 No

ISC VP Internal

Mohammed Abid 368 Yes – 65 No

ISC VP External

Taqi Yeasir 300

Srizon Dip Talukder 168

Acclaimed positions:

International Student Representative  

Quazi M. Abrar

Student of Colour Representative 

Kamso Nzewi

Students with Disability Representative 

Julia Crocker

Trans Student Representative 

Samantha Uribe

Woman’s Representative 

Abrielle Dewolfe

MacPherson College 

Jacob Crewe

Queer Students’ Representative 

Hanaa Mekawy

Education Representative 

Rachel Snow

The remaining positions remain listed as vacant, with prospective nominees invited to reach out to the CRO as soon as possible for steps to fill the roles by emailing cro@munsu.ca.

Vacancies:

Indigenous Rep

Medicine Rep

Music Rep

Burton’s Pond Rep

Interactive play coming to LSPU Hall

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“These are the Songs I Sing When I’m Sad” is an interactive play co-written by performer Jane Miller and producer Brian Quirt, by Toronto-based performance company NightSwimming. Presented by the RCA Theatre Company, the show is set to play at the LSPU hall from March 27-30. 

‘Unconventional’ performances and creative processes

In their 30 plus years, NightSwimming has built a striking reputation for their ‘unconventional’ shows, unwavering support of artists’ endeavours, and performance-based pure research.

Pitched to Jane Miller based on the title alone, the show These are the Songs I Sing When I’m Sad is no exception to NightSwimming’s innovative mission. The show features Jane Miller playing piano, singing, and telling anecdotes about sad music – or songs she sings when she’s sad – there’s a difference!

She spearheads each performance, divulging stories of her own, perfected over the years to align with a score. In the latter part of the show, Miller invites audience members to share their own songs, resulting in a completely unique performance each time. 

Jane Miller and Brian Quirt seem to be a perfect artistic match, complementing each other’s areas of expertise to make for well-rounded performances. An overall emphasis was placed on discussion and the creative process when initially creating the show.

“I wouldn’t say I’m a playwright, because I’m not,” Miller said, “I’m a raconteur, I love to tell stories and I love to talk to people and I love music – I’m a musician, so those are my ways in. Brian, interestingly, is not a singer, not a musician, but a massively curious person about human nature and about how art and humans interact.”  

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What to expect from ‘These are the Songs I Sing When I’m Sad

Miller discussed the nature of the show, she said “I think of it as a cross between a Ted Talk and a house concert. I’m going to tell you a bunch of the science so that you can listen for it, or a bunch of the actual research in the musicality of things … and then I’m going to share the anecdotes that we gathered from people about their sad songs so you can hear examples.”

“People start to think about their own stuff anyway, they’re naturally going to do that. Then there’s a point where we say ‘what are yours?’ and people start to share with each other. It’s really lovely.” The show gives people a reminder to slow down, and some time to reflect on the importance of engaging with art as an emotional outlet. 

Associating music with people you’ve lost or difficult situations seems to be a common theme present in the audience’s contributions to These are the Songs I Sing When I’m Sad. Listening to music can be a healing or cathartic experience, even if we don’t realize it.

“Sometimes people have one about a person or about a relationship that broke up or about some event in their lives, something bigger maybe. These days there are a lot of anthemic pieces where you’re like, I saw myself crying the other day to something that I did not expect to be crying to,” Miller said. “Music gets past so many of our other barriers… music does so much that we don’t even know it’s doing.”

She also pointed out that the show is not solely focused on thematically sad songs. According to Miller, sometimes the songs we sing when we’re sad can be uplifting or upbeat to help remedy any negative feelings. She says that it’s always interesting to hear people’s favourites during the interactive portion of the performance. 

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(picture via NightSwimming)

Audience participation creating special memories

In the years that the show has been touring, there’s been a number of touching moments with audiences. Jane Miller told The Muse her all-time favourite. 

During a small-scale performance in Blythe, Miller asked an older woman in her 70s if she would like to contribute a song to the performance. “She said, ‘this isn’t a sad song for me, but there’s a sadness, a bittersweetness attached to it.’ She said, ‘my husband, who’s been passed away over two decades now – if this song came on the radio he would dance with me in the kitchen,” Miller recounted this woman’s story.

The song was “May I Have This Dance for the Rest of My Life” by Anne Murray, and when Miller began to sing, a young man sitting across from the woman stood up and offered to dance with her. It’s these kinds of moments that are only able to happen in intimate, interactive performance spaces – making this particular show one-of-a-kind. 

After each performance, the songs contributed by the audience are compiled into a playlist posted on the NightSwimming website for attendees to find the songs. Anyone interested can catch “These are the Songs I Sing When I’m Sad” at the LSPU hall this weekend.

MUNSU Election candidates released

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The upcoming Memorial University Students Union election for the 2025/2026 year has locked in its final candidates. Successful candidates will serve in their positions from May 1st, 2025, until April 30, 2026.

Executive Director Candidates

For the Executive positions, the following candidates will soon be campaigning against one another. For candidates running unopposed, they must receive over 50% approval from students. Executive Director positions are full-time and paid positions of the student union.

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Marbrur Islam and Hanaa Mekawy are running for the position of Executive Director of Advocacy (MUNSU)

Executive Director of Advocacy:

  • Mabrur Islam
  • Hanaa Mekawy
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Farhan Ishrak Probandho is running unopposed for Executive Director of Finance and Services and must receive over 50% approval from voters (MUNSU)

Executive Director of Finance and Services:

  • Farhan Ishrak Probandho
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Nathan Gillingham and Milad Tarhoni are running for Executive Director of External Affairs, Communication and Research (MUNSU)

Executive Director of External Affairs, Communication and Research:

  • Nathan Gillingham
  • Milad Tarhoni
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Maahin Khan and Blake Colbran are running for the position of Executive Director of Student Life. (MUNSU)

Executive Director of Student Life:

  • Maahin Khan
  • Blake Colbran
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Rana Abuidris is running unopposed for Executive Director of Campaigns and must receive over 50% approval from voters (MUNSU)

Executive Director of Campaigns:

  • Rana Abuidris

Board of Directors Candidates

For the board of directors, a longer list of competing nominees will be hitting the campaign trail:

Business Rep 5/2

  • Rubayat Tasneem Hossain
  • Jordan Dean
  • Kaur, Parneet
  • Tobi Emioladipupo
  • Srizon Dip Talukder 

Science Rep 7/3

  • Julian Sutton
  • Rebecca Penton
  • Maiza Asif
  • Swacha Mallik
  • Agu Blessing
  • Taqi Yeasir
  • Sarker Saad Ahmed

Pharmacy 

  • Jemy Bijoy

Social Work

  • Hannah Babstock

Center for Nursing Studies

  • Chioma Ehigie

HSS 3/3

  • Sanaa Mrad
  • Juairya (Joyee) Abdullah
  • Hasan Habib

Engineering

  • A: Samantha Leonard
  • B: Aayushman Srivastava

Education

  • Rachel Snow

Black Students

  • Chinedu Ehigie
  • Chukwukaima C. Diai

HKR

  • Colby Dalton

Paton’s College

  • Ziad Ahmed
  • Mitchell Walters

Vacancies and acclaimed nominees

Some candidates have already been acclaimed and won’t be required to campaign. Among the nominees with no opponents, the following victors can be expected to take office this Spring:

  • Disability Rep – Julia Crocker
  • International Rep – Quazi Abrar
  • Trans Rep – Samantha Uribe
  • Students of Colour – Kamso Nzewi
  • Women’s Rep – Abrielle De Wolfe
  • MacPherson College – Jacob Crewe

However, four positions still remain vacant and will be filled outside of the current election timeline: 

  • Music
  • Pharmacy
  • Medicine
  • Burton’s Pond

The International Student Resources Centre will face a confidence vote for the following nominees, except for VP External, where more than one candidate will be running:

  • ISC President – Quazi Abrar
  • VP Finance – Isfak Nehal
  • VP Marketing – Rubayat Tasneem Hossain
  • VP Internal – Mohammed Abid
  • VP Events  – Chinedu Ehigie
  • VP External
    – Srizon Dip Talukder
    – Taqi Yeasir

Voting period looms over nominated candidates

The voting period will take place from March 24th, at 9 am, until March 25, at 9 pm.

While the campaign officially began on March 14th, the public won’t have the final results until voting is complete and ratified by the following board meeting- expected to take place on March 27th but no later than April 9th.

In the case of positions with multiple seats or executives with no opponents (such as 2/3, 3/3, or 1/1), candidates will face a confidence vote. For positions with more than the allotted seats, such as HSS rep with 3 seats, standard voting will decide the designated representatives

Executive forum tomorrow

To hear from the executive candidates, come to the Breezeway at 12pm, Wednesday March 20th for the Executive Forum.

For candidate bios and other information on the election, you can visit the MUNSU election web page and follow the Muse for continued coverage.

Unpaid internships and teacher shortages in NL

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MUN and NLSchools should consider better solutions to meaningfully engage student-interns to address yearly teacher shortages.

Labelled as both exploitative and unethical, unpaid internships are prohibited in many professional sectors in Canada, they continue to haunt students in social work, nursing, and teacher programs among others.

While bursaries have been introduced in nursing, teaching programs across the country have done little to alleviate the financial burden of full-time unpaid internships.

Unfortunately, these internships are deemed perfectly legitimate according to many regulatory standards and are only meekly questioned by those whom it directly affects.

Student interns still pay full tuition

For those eager to become teachers, the B.Ed. (I/S) program effectively forces students into a year of unemployment, while still needing to pay full tuition and cost of living. Even for those fortunate enough to have the resources to pass through the program financially unscathed, it can still be a source of stress.

The price of entry to the BEd program dissuades potential applicants from disadvantaged or marginalized socioeconomic backgrounds– candidates who may have a much higher potential to engage a large number of NL youth.

On top of the unpaid internship, it is unclear how MUN justifies charging a full semester of tuition to students who will not step foot in their halls during those four months.

There’s a triteness to the question of “should interns be paid.” People should be compensated for their work, duh! Yet, I don’t think there’s a strong enough argument to compel MUN and NLSchools to compensate mentors for the mentorship in its current format.

Teacher-interns only provide a brief potential surplus of capacity to schools – potential surplus because they cannot teach without the presence of their mentor teacher in the room.

At best, under the current structure, the mentorship program creates an idle body in the classroom, be it the mentor teacher or the intern. Rather, I contend that the issue of unpaid internships is a red herring to one of the chief problems that hamstrings Canada’s entire education system – a dire lack of teachers and paraeducators.

Let’s instead consider MUN and NLSchools’ collective decision-making and actions made towards increasing teacher numbers across Newfoundland and Labrador. As mentioned, this is an issue of public policy. 

The province needs to examine its economic logic to address an inefficient allocation of scarce resources. How can it, in conjunction with MUN, leverage the local B.Ed.(I/S) program to fill teacher shortages while maintaining the viability of the program?

Let’s look at current efforts. Presumably as a two-pronged solution to the teacher shortage and the appeasement of financially vulnerable B.Ed. (I/S) students – MUN and NLSchools have agreed to let teacher-interns at the junior high and secondary level substitute teach for a paltry 10 days of their 60-day internship at their placement school.

This new policy is a respectable move but it fails both objectives. Under the current supply hiring hierarchy, interns have a very low chance of receiving a supply call. Moreover, school administrators have differing attitudes towards the revised internship policy which only makes this approach unfair to interns placed at different schools across the country and abroad.

Interns are left unpaid and supply vacancies are left unfilled. Granted, in the third semester of their program students are able to supply teach between April and June, but only if they’re able to tailor a course schedule sparse enough to permit it.

Apprenticeship model

The throughline here is that the B.Ed (I/S) program is a missed opportunity. So, how can we extract a greater social net benefit from the B.Ed. (I/S) program? What if we re-imagined the program as a whole? After all, managing a classroom has little to do with the knowledge of a subject a teacher possesses nor their awareness of the latest pedagogical philosophies that buzz around the G.A. Hickman building.

Many seasoned teachers will tell you that teaching is in fact a skilled trade, and perhaps it’s to the apprenticeship model we should look for insight. Let us consider the carpenter. An apprentice spends roughly 80% of their education in the field, 20% in classroom. 

Building companies and contractors get committed and valuable labourers – and the apprentices acquire and hone the skills required for the job. The skillset of the apprentice is meaningfully engaged and their coursework is brief, but targeted.

Currently, I don’t see the skillsets and talent of student-teachers being harnessed in such a way. In a sad irony, we are rendered impotent and, in some cases, impoverished by our own education to become educators. MUN’s education department remains afloat despite their disgruntled students, and NL government flounders in a teacher crisis.

Can’t we make the profession just a bit more enticing? And through all of this, as most education policy issues go, we are forgetting the children who desperately just need more teachers.

Muse Reviews: Mickey 17

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Bong Joon-ho, the Academy Award-winning director of the critically acclaimed Parasite, has at long last released Mickey 17, a delightfully bizarre sci-fi comedy.

Taking place in the future, the film follows Mickey Barnes (Robert Pattinson) as he looks to make a new life for himself far from Earth aboard a vessel set to colonize a new planet. He is an Expendable, meaning he is often sent on incredibly dangerous and inhumane missions, and whenever he dies, he is reprinted 20 hours later, retaining all his memories.

Through a surprising turn of events on a mission, Mickey doesn’t die, but since he is presumed dead, a new one is printed. So now we have two Robert Pattinsons running around, leading to a highly enjoyable, incredibly strange adventure.

Pattinson brings his A-game as Mickey 17 and 18, performing as two very different characters simultaneously. He manages to expertly portray not just the meek, awkward 17, but the cold, uncaring 18. He manages to steal every scene he is in, which is most of them, being the main character and all.

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Naomi Ackie as Nasha Barridge, and Robert Pattinson as Mickey Barnes (Warner Brothers)

That’s not to say the rest of the cast is lacking, however. Naomi Ackie does great in her role as Nasha, while Steven Yeun pops up every now and then as the entertaining Timo, who is constantly out for himself – although, unlike Yeun’s other popular roles, Timo is far from invincible. Mark Ruffalo is the other main highlight of the cast, portraying the bumbling, yet ruthless Kenneth Marshall to near perfection, while Toni Collete does a solid job as the sauce making-obsessed Ylfa.

On the filmmaking side, Mickey 17 is incredibly well-crafted. Director Bong Joon Ho knows exactly when to opt for a sweeping wide shot to perfectly show the scope of these strange locales, while still knowing when to push the camera in for deeper character moments. The script is also pretty tight, and does a great job at fitting in messages on colonization and capitalism, the latter of which feels right at home Bong Joon-ho’s other works, particularly Parasite.

The only thing that didn’t fully work for me was the pacing, as it felt very slow in the first half, and then it feels as if a switch randomly flipped halfway through, and the movie started to blaze through major points. Some thematic elements get a bit lost in the shuffle, though not to any major degree.

Overall, however, the odd pacing does little to hamper my enjoyment of Mickey 17. It takes its wacky premise and runs with it, combined with great performances and direction. It’s a film that has a lot to say, and does mostly succeed, even if the strange pacing hampers the analysis a bit.

Rating: 8.5/10

MUNSU extends election nomination deadline for 13 vacancies

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Following the previous deadline for MUNSU’s nominations, this past Monday afternoon, a total of thirteen positions remain vacant and open for nominations.

Prospective applicants to these specific vacant positions will have until Thursday, March 13th, at 3 pm to apply for the remaining positions through the completion of a nomination package available at the MUNSU office. 

The following roles remain vacant and offer candidates a seat on the board of representatives:

  • HSS Rep (x2)
  • Engineering Rep B
  • CNS Rep
  • Pharmacy Rep
  • Medicine Rep
  • Social Work Rep
  • Music Rep
  • Indigenous Rep
  • Queer Rep
  • Macpherson Rep
  • Paton College Rep
  • Burton’s Pond Rep

Applicants must be a members of the intended role’s specific faculty, residence or constituency.

For more information on the election, you can visit the MUNSU elections web page and follow the Muse’s ongoing coverage.

Nominations to close for MUNSU general election

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The upcoming MUNSU election is rapidly approaching its closing date for prospective applicants. This Monday, March 10th, at noon, nominations for submissions of nomination packets will be officially closed. Should positions be vacant, the deadline for filling vacant nominations will be on Thursday, March 13th.

Executive and Board positions

Among the slate of roles that will be open for nominations, five executive director positions will give student leaders an opportunity to engage full-time in overseeing specific elements of the union. These include: 

  • Advocacy
  • Student Life
  • Finance and Services
  • Campaigns
  • External Affairs, Communications, and Research

However, along with the executive positions, there are a plethora of roles available that cover the faculty, constituency, and ward representation at committee and board meetings.

Chief Returning Officer Riley Tucker encourages debate and democracy

In a conversation on last week’s Muse News, MUNSU CRO Riley Tucker made the case as to why students should get involved and run as representatives in their community.

“It’s so incredibly important because this is our advocacy- this is who we have elected… democratically to stand… for our goals at the end of it,” said Tucker. “Those are the people you believe, and you choose to speak for you in rooms that you can’t access sometimes.” 

Tucker continued, “If I, right now, needed someone to speak for me in advocacy, I’d speak with Devon Budden. If I needed something for a club or society, I’d talk with Britt [Meaney].”

“I’m really hoping to see a lot of opinions. I’m hoping to see a lot of different students speak their voice. I’m hoping to see as much conversation as possible,” said Tucker, “Get the conversation going- that’s honestly my goal overall.”

What can voters expect?

Finalized and nominated candidates will gather for a mandatory meeting in the Loft at the UC, on Monday, March 10th at 5pm, to go over rules and guidelines to follow in their campaigns.

The election itself will take place throughout the next two weeks and allow candidates the opportunity to connect with other students before the voting period on March 24th from 9 am to March 25 at 9 pm.

Some of the other campaign events include:

  • “Extended Vacancy Rules Meet” – Loft, Thursday, March 13, 6:00 pm (2 hours)
  • “Candidate Meet and Greet” – Breezeway, March 14, 12 noon (2-3 hours)
  • “Res Townhall” – Dining Hall, Room 2002, March 16th 12 Noon (1 hour)
  • “Clubs and Societies Meet” – Council Chambers, March 18, 12 noon (1-2 hours)
  • “Exec Forum” (Mandatory for executive candidates) – March 20, 12 noon, loft (1+ hours).

Some of the topics which are likely to be discussed by candidates will include the cost of living crisis, the state of Memorial’s infrastructure, the increasing likelihood of a provincial (and federal) election, and more.

For more information on the election, students are encouraged to visit MUNSU’s official web page

RPM Challenge 2025: NL Submissions Round-up

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I listened to all of the local submissions for this year’s February RPM Challenge so you don’t have to. Here are some of the most innovative projects and a few personal favorites. 

Administered locally by Unpossible NL, the annual RPM Challenge aims to foster creative courage. Since 2006, the worldwide challenge has given participants the month of February to create an original music project in just four weeks. 

RPM is a non–competitive event to encourage people to create and share their art. Projects range anywhere from a single to EPs and entire albums, encompassing all genres and levels of experience. This creative liberty results in some inventive submissions each year. 

Read on for a small selection of local talent that participated in 2025. 

“Bread Clip/John-Boy” – Bread Clip & John-Boy

breadclipjohn boy album cover

A personal favourite! Everything Bread Clip creates is so incredibly charming, and this 4 song EP split was no exception. There has yet to be a release of theirs I don’t like. Bread Clip brought on local musician and Rad Gushue bandmate Etta Cessac-Sinclair as John-Boy for this year’s RPM, producing some wonderfully introspective lo-fi indie pop. 

In addition to the EP, they also made a music video featuring Cessac-Sinclair’s grandmother.

“Old Ghosts in Fresh Graves (Songs I Found in a Hole)” – James Merriwether with the Silicon Stars

james merriwether album cover

Emphatic and whimsical, this folk album includes vivid stories told through song, taking inspiration from both traditional Newfoundland music, and Americana–style folk. 

Merriwether’s voice is captivating, and his songwriting is plain–spoken, but creates a feeling of candid intimacy, tastefully scored by a bass–fiddle! 

“Count Cromulent TV” – Count Cromulent

cctv album cover

Count Cromulent is back for another year of RPM with a full-length album, driven by their love for nostalgia and old television shows, hence the “CCTV” joke in the name.

Sampling from 70s/80s TV music and dialogue soundbites, the album oozes really fun vintage vibes. This record is a collaboration of local punk–jazz fusion outfit Killer 9000, and indie rock group Paper Tyger. 

“Jamz With the Birds of Brazil” – Wanderer Born

wanderer born album cover

Wanderer Born recorded various bird sounds on a trip to Brazil in January. After returning from his trip, this musician supplemented the bird calls with jazzy guitar instrumentals to make this album.

An extremely creative record – who thinks of co-writing their music with birds!? -this artist somehow manages to marry 70s musical influences with tropical bird sounds. 

“And Again…And Again…And Again…And Again…” – Various Artists

These various musicians were all given the same drum track and told to go nuts. 

Each song on this album has the same drum track, interpreted and creatively manipulated through the individual eyes of each artist. The songs range from more pop, to rock, and heavier punk and metal This reflects the core values of the RPM challenge that just encourages making art, and celebrating individual creativity. This album is both a collaborative and individual project, making it a really interesting venture that embodies RPM’s values. 

“Bric-a-brac-a-bloc” – latecomber

bricabracbloc album cover

This two–song single is just plain cool. Prominent bass lines and pedal looping inspired by popular indie musician Alex G create a really alluring musical atmosphere that would appeal to any fan of slightly existential lo-fi indie rock.

The second track uses heavier distortion for a more experimental, noisy feel, but maintains the dissociative, atmospheric vibe.

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RPM Challenge 2025 (via RPM)

In RPM’s nearly 20 years of organizing this challenge, some fantastic music has been made. It’s amazing to see what people can do when creative pressure is lifted. It really shows that people don’t have to reinvent the wheel to make something good – there is value in just making art period.

Check out the rest of the NL submissions here.

Student-led journal ‘Toothcut’ working on first edition

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Toothcut is St. John’s self-described “newest and weirdest literary journal” currently working on their debut edition. Pioneered by four students writers, Caleb Browne (Editor–in–Chief), Jenna James (Managing Editor and Secret Keeper), Nick Corcoran (Editor and Obituary Writer), and Tanner Hudson (Editor and “Business Guy”) sought poetry, short stories, and secrets for their upcoming first edition set to come out this summer.

What is ‘Toothcut’?

The name ‘Toothcut’ comes from the phrase “to cut one’s teeth,” which is when someone gains a particular skill set, or other words, to learn by doing. This is reflective of the journal’s mission: to highlight local emerging writers, especially BIPOC and queer writers from Newfoundland, and create a space for people to experiment with their writing. 

While there are opportunities for Newfoundland writers who are just starting out, ‘Toothcut’ aims to be a mouthpiece for the nonconformists – giving the weirdos, and “freaks” a chance to get work published that other journals might be hesitant to take. As student writers, the ‘Toothcut’ team knows how intimidating publishing work for the first time can be, and identified barriers to entry for people just starting out.

Toothcut’s Beginnings 

The Muse spoke with editor–in–chief Caleb Browne and ‘business guy,’ Tanner Hudson on Muse News on CHMR FM about how the journal came to be, and upcoming plans for their first edition. 

The Toothcut team all found one another through writing. Browne spearheaded the idea of the journal, and brought it up in passing to Hudson before they were good friends. Toothcut ‘secret keeper’ Jenna James caught wind of the project through Hudson and said “I need to be a part of this!” They then added their fourth and final member Nick Corcoran. 

The Toothcut executives come from a variety of creative backgrounds, making their team well–rounded to best suit any type of local writer. James and Corcoran hail from a music and theatre background, Hudson from an English Literature and theatre background, and Browne from philosophy, courtesy of their studies at MUN. This brings a great deal of passion to the editor’s meetings as each member offers a unique perspective on submitted pieces.

A Fascination with Secrets

In addition to poetry, short stories, and multimedia artistic elements, Toothcut also asked people to anonymously submit their secrets. There were limitations placed on the secret submissions to prevent any precarious or incriminating situations. Thinking about secrets as poetic, or as a type of literature is very intriguing, and in the podcast interview Browne and Hudson discussed the connection between secrets and literature.

“Every piece of literature has a secret in it,” Hudson said. “Every really strong piece of literature I find has one component about the location, a line, a character, always has something that if you ask the author about, they squirm a bit … It comes from a very deep and personal perspective.”

toothcut
“Imperfection as a ritual; learning as an artful process; 4 students figuring it out as they go along” -Toothcut (via Toothcut’s website)

“There’s something freeing about [submitting a secret anonymously] and not having to have your name attached to something and being able to just share something discreetly like that. [We’re] having people read it alongside poetry and fiction because that’s what literature is,” said Browne. According to Toothcut, to share your writing with others is to reveal secrets about yourself, whether intentional or not. Part of their philosophy is to do things scared, take risks, and put yourself out there creatively – all emerging writers are learning.

Submissions for written work closed on March 1st, but visual artists can still submit secrets, and greyscale work for the cover of Toothcut’s first edition until March 15th. Stay tuned for their first edition, set to come out this Summer, and support emerging writers.

Listen to the full Muse News interview on YouTube, Spotify, or Apple Podcasts.

Relay for Life celebrates its 20th year at MUN

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On March 22nd at 7pm, Relay for Life will celebrate its 20th birthday at the MUN Fieldhouse. Since 2005, students at Memorial University have rallied together to host a fundraiser that honours anyone who has experienced cancer in their lifetime.

Co-chairs Emma McIsaac and Sophia Ryan are proud of the community the event has fostered over its two decades: “It’s not just a fundraising event; it’s an opportunity for all of us to come together, support each other, and celebrate the strength and resilience of those impacted by cancer,” says McIsaac.

The event is held throughout the night, from 7pm-7am. This years fundraiser will kick off with a special lap around the track lead by cancer survivors, as participants follow and cheer. Many teams set up mini campsites, and take turns walking laps, or simply enjoying the festivities.

Over the course of 12 hours, participants can expect refreshments, food, games, and entertainment. Generous sponsors have donated numerous prizes to be won, setting an excellent incentive to stay awake! In the evening, the fieldhouse track is lined with luminaries.

Each luminary consists of a candle placed in a special bag, which has been designed by each participant, dedicated to someone who has experienced cancer. The bags provide light and motivation for the participants and survivors.

Cancer Survivors
Cancer survivors lead the first lap, signifying the start of the event (Submitted)

Community Effort

Across Canada, high schools and universities rally together to raise funds for the Canadian Cancer Society through Relay for Life. 100% of proceeds go directly to the Canadian Cancer Society, where each donation helps to fund innovative cancer research and treatment, and support patients and their families. Last year in 2024, MUN Relay for Life raised more than $103,000. 

The event is organized by a team of 43 student volunteers, each dedicated to an individual subcommittee. Although the event is through Memorial University, it is open to anyone who registers. 

“I wish that more students, faculty, and members of the general public in NL knew that Relay was open to anyone; not just MUN students!” said co-chair Sophia Ryan.

“While the event is planned by MUN students and held at the MUN Fieldhouse, it is encouraged for the full community to come out and participate. We are all impacted by cancer in some way, and we want this event to be a safe, welcoming space for all who are interested.” 

Relay committee(1)
2024 Relay for life Committee (Submitted)

Registering for Relay

To register to attend the event, or make a donation, click here.

If you have experienced cancer and wish to attend Relay for Life, you can participate as a survivor or a general participant. 

The registration fee is $20, which gives each participant a Relay for Life T-shirt and access to the event. The committee is requesting that participants strive to raise $100 before the event, however there is no minimum amount required for admission.