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President Morrison visits Harlow Campus: ‘everything is on the table’

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Memorial President Janet Morrison is currently at the university’s UK-based Harlow campus after comments that Memorial might be looking to close it down.

The Muse got the opportunity to speak with her one-on-one while she was here. We asked about why the campus would be potentially put on sale, future international opportunities for students and the impact the Harlow campus has for students.

Why sell Harlow?

Morrison talked about MUN’s $20 million in year deficit, and says that it has “demanded we look at every dollar we spend relative to our core or academic mission.”

Morrison says the university’s budget deficit has been “compounded by” the lower student enrollment at Memorial University in the last year.

While selling the Harlow campus is one of the ways the university might try to make up the deficit, Morrison told me that the campus is not being looked at “more intensely than other circumstances.”

She also alluded to MUN’s consistent budget cutting over the last decade, saying: “I think it’s really important that people appreciate that Memorial has been cutting money from budgets every year for over a decade, so anything that was easy is done. There is nothing left that people don’t care about or won’t miss.”

Morrison continued, “but at the end of the day, we have what’s approaching a $30 million dollar problem and we’ve been cutting for 10 years, so there are difficult decisions to come … we need to talk to folks about how every dollar we spend ties back to our core academic mission and our special obligation to the citizens of this province.”

Is the Harlow campus overlooked?

I asked Morrison about comments students made regarding the Harlow campus being overlooked by Memorial in the past.

She said she could not comment on anything before August, 2025 but said that “the challenge is… I’m not in a position to judge, but if it [Harlow] had been better or more optimally promoted, it can serve 151 students a year at full occupancy, and for those 151 students, the experience is, I have every bit of confidence, is going to be awesome, but how do we think about that in the context of Memorial’s bigger challenges?”

Amazing reviews

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Morrison says the Harlow campus is “clearly transformational.” (Andrew Connors/The Muse)

Morrison said that in the past few weeks she has heard of so many amazing experiences from Harlow alumni.

She said “in my consultations with current students and alumni of Harlow, along with faculty, staff and community members, all I hear about is how awesome the experience was, and I think that’s a tremendous piece of the puzzle.”

Morrison said that she has not heard a single bad review of the campus: “I haven’t heard anybody say anything less than it was transformational, which is amazing because, inevitably, you get somebody whose experience was bad, but I haven’t talked to anyone whose experience hasn’t been awesome.”

When asked if her time in Harlow has changed her perspective of the campus, she told me, “honestly, students and recent alumni have done such a great job of painting a picture of how awesome the experience was.”

I had a sense this place was magical and that’s been affirmed over the course of the last day … I had a strong sense of how awesome it was before I got here, but there is no substitute for being on site and experiencing it yourself,” said Morrison

She finished by saying “across the board, people are incredibly grateful for the opportunity to be here. I don’t use the word transformational lightly, but it’s clearly transformational.”

Other travel abroad endeavors

Before arriving to Harlow, Morrison briefly touched on the fact that the university has relationships with 180 institutions in 50 different countries.

I asked her to elaborate on those comments and should the Harlow campus be sold, what kind of international travel opportunities would be offered to MUN students if they can no longer go to the UK based campus.

She gave me a few examples of different programs and different travel opportunities that could come with them, saying “there are language intensive programs, there are international co-ops that we sponsor.”

She gave examples of students she’s spoken to who have done exchanges in Germany and also who are interested in studying abroad in Germany.

Since the discussion of a potential sale first arose, Dr. Morrison said it has brought up a lot of different conversations about potential international study endeavors for students.

“The conversations have generated ideas about what those experiences might look like,” said Morrison.

Some students want language intensive programming, some people want to work abroad… other students have talked to me about why Harlow is special, because you come in a cohort with a faculty member, so it can be less scary”

She continued, “part of the conversation has been, not just with students, but with faculty and staff, on how do we create a rich variety of experiences, focused on different outcomes or developing different things for people that can meet a broader array of student interest and need.”

For some programs, going up to the Harlow campus is either required or fundamental, which Dr. Morrison says is leading them to actively explore “other options” in terms of international study.

Potential Harlow sale still very early in its consultation

No matter what happens, the Harlow campus cannot be sold until August 2026, and Dr. Morrison told me “the commitment that we’ve made to students is that, if you currently have plans to be at Harlow in the 25-26 academic year, then those plans are firm. There is no risk to that planning because we do appreciate that students make plans, have expectations, etc … there’s no risk to the commitments out through spring 2026.”

Morrison made it clear that no final decision on Harlow has been made.

“No decision has been made and the decision would ultimately be made by the board of regents.”

One thing seems clear, over the coming months there will be a lot of different conversations about both the Harlow campus, international study opportunities and ways MUN can fix the budget deficit.

As Morrison put it to me, “everything is on the table.”

MusicNL Week kicks off 33rd year showcasing local artists

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MusicNL Week, an industry event that celebrates local musicians kicked off to a fantastic start yesterday evening with an intimate folk night at The Ship Pub.

Showcasing our provinces’ talent, doling out well-deserved awards, and offering professional development opportunities, MusicNL Week is a highly anticipated event for any local creative. 

Fresh off a victory of $48m in sustained funding for music outlined in the 2025 Federal Budget, this year’s conference aims to affirm that continued government investment in Canadian artists is necessary for cultivating community, culture, and creativity.  

MusicNL Week 2025 features over 40 acts hailing from our own province at a host of venues across St. John’s, as well as various business workshops and awards ceremonies. Performances are already underway, but here’s the remainder of this year’s showcases:

Thursday, November 13

The Black Sheep

  • 8pm, Jenny Mallard (pop)
  • 8:30pm, The Dandelion Few (folk)
  • 9pm, Mallory Johnson (americana/alternative)
  • 9:30pm, Andrew Rodgers (singer/songwriter)
  • 10pm, Dave Whitty (singer/songwriter)

The Rock House

  • 8:15pm, R Sheaves (composer, singer/songwriter)
  • 8:45pm, Hannah Green (indie/folk)
  • 9:15pm, Kelly McMichael (alternative pop/rock)
  • 9:45pm, Rachel Cousins (pop)
  • 10:15pm, potem (electronic)

Friday, November 14

Sheraton Hotel

  • 1:20pm, Ian Foster (folk)
  • 2pm, Colleen Power (singer/songwriter)
  • 2:30pm, Zaynab Wilson (r&b)
  • 3pm, The Irish Descendants (folk/trad)
  • 3:30pm Rev. Dave and the Sin Eaters (country)

The Black Sheep

  • 8pm, Becca Bartlett (singer/songwriter)
  • 8:30pm, Jenina MacGillivray (folk)
  • 9pm, Claire Porter (alternative)
  • 9:30pm, Ana Luisa Ramos (jazz)
  • 10:15pm, Duane Andrews and the Hot Club of Conception Bay (swing)

The Rock House

  • 8:15pm, XIA-3 (rock/Chinese trad)
  • 8:45pm, Fairgale (rock/pop)
  • 9:15pm, Swimming (emo/math rock)
  • 9:45pm, With Violet (indie pop)
  • 10:15pm, The Order of the Precious Blood (hardcore)

Saturday, November 15

Sheraton Hotel

  • 1:30pm, Kitchinparti (trad)
  • 2pm, Rosemary Lawton (trad/celtic)
  • 2:30pm, Mackenzie Critch (singer/songwriter)

Sunday, November 16

The Ship Pub

7pm Sunday sees the return of MusicNL Week’s renowned Songwriters’ Circle featuring Sherry Ryan, Faith Aucoin, and Barake.

MusicNL will also be awarding the accolades of Francophone Artist of the Year, Electronic Artist of the Year, Side Musician of the Year, Folk Artist of the Year, and Instrumental Artist of the Year. Award nominees can be found here.

Students at Harlow say closing the campus would be a mistake

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The current crop of students at Harlow Campus have come to realize they may be among the last. They are urging Memorial to reconsider the path to closure of the UK campus.

Memorial’s president Janet Morrison has floated around the idea of selling the UK-based campus in Harlow, which opened back in 1969 to connect St. John’s, the ‘oldest city’ in the ‘new world’ and Harlow, the ‘newest city’ in the ‘old world.’

Monetary reasons, low student enrollment and the university having relationships with various different institutions around the world are a few reasons Morrison gave for the potential closure. A decision on the future of the campus will not be made until late summer 2026.

For the past few weeks, the Harlow campus has been home to 26 students, who are attending for a theater and social justice themed semester.

The courses involved include Anthropology, English and Communications. These students will remain on campus until late November. It is also home to five education students, who have spent the entire semester in the UK.

When the news broke that Memorial may close down Harlow Campus, many students at the campus were unhappy that an opportunity like this would be taken away from future students.

I am currently studying at Harlow and asked many of my fellow students what they thought of Memorial potentially selling the campus. Every student I asked said it would be a bad idea.

Last Thursday evening CBC’s Krissy Holmes interviewed Dr. Jamie Skidmore, who is currently teaching at the Harlow Campus for the seventh time.

Aside from Skidmore, five students spoke to CBC in a live, over-the-phone interview in the Harlow Campus boardroom, along with other students who were also in the room, supporting their professor and fellow classmates.

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Harlow Students in 2022 (The Muse)

Students believe MUN is not allowing their Harlow campus to live up to its full potential

One common answer I heard from students in Harlow was that they believed the university is not allowing the campus to live up to its potential.

Samantha Chafe said that they “think it’s clear that there’s an under-utilization and that something needs to be fixed on the administrative side of things.”

Adrienne Squires, another student currently attending the Harlow campus told me that updates to technology could improve the campus. “We are currently sitting in a library that used to have computers in it, and it does not have computers in it anymore…”

“We can’t print anything here unless we go to the receptionist and ask them to print something… just those simple things that every student needs has been taken away.

That’s all been cut for financial reasons. I think Harlow absolutely could live up to its potential if they put in the work,” said Squires.

Some students also believe that a lack of awareness of the campus, even among current MUN students, is also limiting its potential.

Multiple students told me they never even knew the campus was a thing until Dr. Skidmore and Dr. Andrea Procter, the two professors in Harlow for the current semester, came into their classrooms to recruit students to the campus.

Sam Rowsell is currently attending the Harlow campus and suggests that student awareness is a barrier.

I didn’t even know this [Harlow Campus] existed until a year ago. Jamie is the only professor I’ve seen talk about Harlow ever.”

Drake Rose was one of the students that spoke to CBC, and he told them that they believed the Harlow campus has been overlooked.

“I only heard about this place once before I decided to come here, so I can only imagine how many students going to MUN right now have no idea this place exists.”

“Putting in more advertising towards promoting this campus as it is the only Canadian University that has a campus in the United Kingdom. I think that could be something that could drive other students towards this University and could actually help get MUN some of its lost money back,” said Rose.

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Harlow Students in 2022 (The Muse)

Students at Harlow campus having an unforgettable experience.

While students think the university should do more to promote the Harlow Campus, they are also all having an incredible time, and say the learning opportunities are unique from what you would get back in Newfoundland.

Jack Drake, a third year MUN student, told me their time at Harlow has been a “horizon broadening experience.”

“There are so many things that I would never even dream of being able to do in Newfoundland that we’ve been able to do here,” said Drake.

Another student Harlow student, Logan Baker, told the CBC that the Harlow Campus is “absolutely incredible.”

“We have … access to what England has to offer, we go to museums, we watch theatre, I saw a three hour interpretive dance about climate change and extinction. I think it’s an absolutely incredible learning experience… there’s so much to learn from here that you would absolutely not get otherwise,” said Baker.

“Be innovative”

While on CBC, Skidmore mentioned a few ways MUN could “be innovative” and make more use of the Harlow campus.

Since professors cannot actually teach in Harlow, what they end up doing is actual in-class teaching in St. John’s for the first half of the semester, and then go up to Harlow for experimental learning for the second half.

Skidmore suggested having a cohort of students do the in-class portion in the last week of the summer semester, and then go up to Harlow for the second half, while another cohort would do in-class learning during the first half of the semester, and then go up to Harlow for the second half.

“Then you would have a constant cohort of students,” explained Skidmore.

He also mentioned that the university should let students and profs have a say in these types of decisions, using business prof’s Tom Cooper’s recommendations for the campus as an example.

“The students are the stakeholders, they should always have a say in these things,” said Skidmore.

FOGFEST V: Independent horror film fest brings frights to the rock

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Halloween may have passed, but the annual FOGFEST Independent Film Festival aims to keep the scares rolling just a bit longer.

Returning for its fifth year of frights, the annual independent horror film festival provides plenty of scares from talented creators, looking to showcase their skills in a massive collection of both short and feature-length horror films.

“I’m so excited to see my work on a stage like this, and for everyone involved in making this a reality,” said Luke Wheaton, director of Escape Reality, one of the horror short films being showcased. “It’s surreal, honestly.”

FOGFEST represents a massive opportunity for these artists to get their work out there. “It’s a big deal for everyone involved,” said Wheaton. “It will be huge for their passion for film, and their careers moving forward.”

FOGFEST V will take place at the Majestic Theatre in downtown St. John’s from November 7th to the 10th.

Hangashore (top) and Time Eater (bottom). (FOGFEST)

Here’s a brief rundown of what you can expect from FOGFEST V, starting with the feature-length films, which are all accompanied by an opening short film.

  • Mother of Flies (Dir. John Adams, Zelda Adams, Toby Poser) Opener: The Girl in the Street (Dir. Chris Paicely, Miles August)
  • Deathstalker (Dir. Steven Kostanski) Opener: The Traveler & The Troll (Dir. Adam Murray)
  • Hangashore (Dir. Justin Oakey) Opener: Time Eater (Dir. Ryan Couldrey)
  • Foreigner (Dir. Ava Maria Safai) Opener: Lupe Q and the Galactic Corn Cake (Dir. Javier Badillo)
  • Ginger Snaps (Dir. John Fawcett) Opener: Gender Reveal (Dir. Mo Matton)

Next up are the short horror collections. These are five groups of horror short films, created by artists from Canada and beyond.

Indigenous Horror Spotlight: Six short films looking to provide unique takes on the horror genre through an indigenous point of view.

  • Immortal Embrace (Dir. Reamonn Joshee)
  • ‘Wats’a (Dir. Dustin McGladrey)
  • Ojichaag (Dir. Rachel Beaulieu)
  • Pimple Patch (Dir. Noah Berc)
  • The Hunter and His Apprentice (Dir. Reamonn Joshee)
  • Midnight at the Lonely River (Dir. Abraham Cote)

Flesh & Frame: The largest collection of the group, featuring a combination of live action and animated works from around the world.

  • Poppa (Dir. Peter Ahern)
  • Cosmic Crash (Dr. James Smith)
  • VHX (Dir. Alisa Stern, Scott Ampleford)
  • Nostril (Dir. Michael Dondero, Shengnan Dong)
  • Visceral (Dir. Leah Galarneau)
  • Autophagy (Dir. Edie Lawrence)
  • DAGON (Dir. Paolo Guadio)
  • Skeeter (Dir. Chris McInroy)
  • Frame (Dir. Olivia Cordell, Libby Morris)
  • My Lily (Dir. Kashika Kaushal)
  • Living in Hanna (Dir. Robin Careless, Kayle Jo Farris)
  • RUN! (Dir. Adam Marley, Jonathan Brito)
  • Devil’s Prism (Dir. Kika Magalhães)
  • Meat Crayon (Dir. Richard Rotter)
  • Slow (Dir. Rebecca Berrih)
  • Cadabra (Dir. Tiffany Wice)
  • Berta (Dir. Lucia Forner Segarra)
Foreigner (top) and Lupe Q and the Galactic Corn Cake (bottom). (FOGFEST)

Signal Drift: A collection of 12 mind-bending, perception-challenging short films. The first of two blocks highlighting Atlantic Canadian artists.

  • The Jokes On You (Dir. Brooklyn V. Cox)
  • Mudder’s Mess (Dir. Nadia Duman)
  • Last Stop at the One Stop (Dir. James Titford)
  • The Man in the House (Dir. Eric Elliott)
  • Man/Meteorite (Dir. Stephen Haring)
  • Panopticon (Dir. Levi Cook, Stephen White)
  • Kaufman & Richter (Dir. Cullam James Bruce-Lockhart, Sean Michael Alexander Jessome, Annalise Josefine Smith)
  • Meditator (Dir. Oliver Quinton)
  • Chemical Egg (Dir. Mike Simms)
  • Escape Reality (Dir. Luke Wheaton)
  • Radio Hell (Dir. Bart K. Pierson)
  • A Place to Wait and Watch (Dir. Vaida Vaitkutė)

Fog & Firelight: 11 works meant to really get under the viewer’s skin and linger in their minds. The second of two blocks highlighting Atlantic Canadian Artists.

  • In The Details (Dir. Steward Pulinney)
  • SIGNAL / NOISE (Dir. Jonathan Kennedy)
  • Black Hole (Dir. Brianna Russell)
  • Peripheral Visions (Dir. Robert J. Finbow)
  • Technophobic (Dir. Michael Peers, Yasmine Majchrzak)
  • BIRDS two by two (Dir. Nicola Hawkins)
  • Flickers (Dir. Alexa Jane Jerrett)
  • The Eyes of the Storm (Mark MacLean)
  • Mother’s Skin (Dir. Leah Johnstton)
  • An Interview With The Devil (Dir. Peter Collins)
  • Oliver (Dir. Andrew Strickland)
The poster for the Signal Drift collection of short films. (FOGFEST)

The Shape Behind the Eyes: Featuring works from around the world, this last collection of short films emphasizes not just physical horror and violence, but psychological as well.

  • A Variation on the Old in ‘n Out (Dir. Christopher Beaubien)
  • Fire & the Forest (Dir. Liam Bursey)
  • SLURP (Dir. Elena Sturk-Lussier)
  • No One is Coming to Rescue You (Dir. Ruth Platt)
  • Cringe (Dir. Lisa Ovies)
  • When Shadows Lay Darkest (Dir. Jacob Leighton Burns)
  • The Nest (Dir. Ignacio Rodó)
  • Flush (Dir. Ladane Ali)
  • Bronze (Dir. Corey Benson Powers)
  • Endzgiving (Dir. Tina Carbone)
  • Karak (Dir. Ian Tan)
  • Slush (Dir. Dir. Ashley George)

Additionally, Bell FibeTV1 is holding a free presentation, which will feature episodes from the following shows:

  • Cradle in the Waves (Season 2)
  • Downtown Old Haunts
  • Tales from the South Shore
  • Phantom Line
  • Creepy Cape Breton (Season 2)

Further information about schedules and pricing can be found here: https://www.fogfest.ca/

OPINION: It’s time for paid work terms for education students

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Teaching is a mentally demanding profession.

As an educator, your work does not stay confined to the classroom; it follows you home and permeates your life.

As teachers, we signed up for this because we know the payout. That payout comes in the form of student success and creating a classroom environment where every student feels safe and welcome. 

Now, imagine teaching, but instead of going home at night and working on the career that you have worked so hard to achieve, you need to work a part-time job to pay for work.

This sounds crazy; however, it’s the life of most education students and Memorial University. As students, we have to pay an annual tuition fee to the university and then be expected to do 60 days of work for free.

People will say that your internship provides you with experience; however, this experience is is not setting teachers in Newfoundland and Labrador up for success.

Atop this, we deal with purchasing a living space and food in an economy that continues to rise at an exponential rate. For those who decide to remain on the Avalon Peninsula, the job market is scarce, and most teachers will end up on a substitute list.

Educators are the foundation of a moral society. School is so much more than children learning a set curriculum.

In school, they interact with friends and participate in an environment that is open and accepting of everyone. Good teachers will do this while teaching at the highest level by including methods of interactive learning and focusing on the retention of key materials.

How can the government expect the new group of up-and-coming teachers to foster this environment when they have to spend their evenings working instead of dedicating time to their craft?

It is time to pay student teachers what they deserve and allow them to dedicate their time to the job that they love!

Federal music programs at risk of losing $16m in funding

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It seems like funding for everything is getting rolled back lately, and unfortunately, the arts may be among the first to go. In this case, the Canada Music Fund (CMF) might be on the chopping block. 

$16 million of annual federal funding that supports Canadian artists in their endeavors is about to expire. Prime Minister Mark Carney is set to table his first federal budget on November 4, and Canadian musicians are doubtful whether investments in the CMF will be sustained. 

What’s happening with arts funding?

In a press release, Canadian Independent Music Association (CIMA) President Andrew Cash outlined the lack of financial support for artists and industry workers, especially amid the slow death of broadcast radio, and halted revenue from streaming services refusing to adhere to Canadian regulations. 

CIMA and independent music organizations across the country, like MusicNL, are urging people to pressure the government with a click-to-email campaign.

The funding at risk of being cut supports Musication and FACTOR, two non-profit organizations that invest in Canadian-owned music companies and artists directly.

Proponents of these grants say that localizing support for artists and creatives is essential for many industries in Canada, and importantly, for supporting our communities, cultivating a vibrant, unique culture, and gaining recognition in a global entertainment economy.

(MusicNL)

How does government funding for music work anyways?

The Canada Music Fund is intended to “ensure that a diversity of Canadian music artists connect with audiences everywhere.” The government of Canada designates FACTOR for the Anglophone music sector, and Musication for the Francophone music sector.

Individual initiatives provide artists and industry professionals  “financial assistance to undertake activities central to the development of Canadian artists, the promotion of their music and the expansion of their audience.”

This might encompass grants to offset the inflated costs of marketing, album production, recording, or touring. 

Collective initiatives are based on community skill-building, enabling artists and industry professionals to develop business skills, which is advantageous when navigating a highly competitive market.

Locally, MusicNL distributes the majority of any awarded federal funds, having allocated approximately $418k in 2024 to Newfoundland-based creatives for artist development, professional development, and market access. 

ArtsNL, however, is a separate, provincial funding body that also financially supports select musicians and industry staff within our province. ArtsNL funding will be unaffected by the federal budget review.

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The Way East performing at the S.P.A.C.E. for Heavy NFLD Fest (Amanda Sproule)

What does this mean for NL music?

Many familiar favourites in the scene were only able to produce some of your beloved Fogtown classics thanks to government grants.

St. John’s-based indie rock band The Way East received a grant from MusicNL to create their first record, set to come out in the new year. Lead vocalist Christopher Hibbs, a musician who’s navigated the NL scene for almost 20 years, offered his comment on the financial strain of creative projects and what receiving a grant made possible for the band. 

“It gave us an opportunity to kind of push the barrel a little bit further, it gives you the ability to work with award-winning recording engineers, producers,” said Hibbs. 

“It also gives you the ability to work with the community. I think that’s probably one of the most important things that we know. It gave us the opportunity to take money that was given to us to now employ other people locally.”

It’s difficult to predict what might happen if Carney’s government does indeed reduce arts funding significantly. However, many people are not optimistic.

“Things are changing, you know… we all know about what happened to the folk festival. It’s [funding] from these organizations like Factor Canada, for example, who help with Music NL Week, which is soon coming up,” Hibbs explained. 

Hibbs also discussed the double-edged sword of DIY production, saying that “…I sometimes wonder if that is the reason why. Is it different things like that –  they figure that the money is not needed? Because there are other resources, so they’ll figure it out. Artists will always figure it out because they’re creative, they can do it.’”

While we love and appreciate DIY here in the Newfoundland scene, many musicians believe that this should not be the only option for artists across Canada. 

This story is still developing as the federal budget is imminent. The Muse will provide updates as it progresses.

Muse Reviews: The Battery Cafe

Looking for a place to recharge in St. John’s? The Battery Cafe has you covered.

If you are anything like me, finding cozy cafes to study and hangout in, is a vital part of the student experience. Situated at the foot of historic Signal Hill in the scenic Battery neighborhood, this one meets all the criteria.

During my visit, I was in the mood for a caffeinated beverage, paired with a light lunch. So, I ordered their Chimi Chicken sandwich, which contained a pleasant mix of spinach, tomato, pickled onions and cheese. The chicken was roasted with red chimichurri sauce and mayo, making for a delicate blend of exquisite flavours.

They also offer vegetarian, vegan, and gluten-free options available for those with certain dietary restrictions. A delicious of array of baked goods were also available if you have a sweet tooth!

I paired this sandwich with an iced vanilla latte – a personal favourite. The latte wasn’t made too sweet, making it the perfect pick-me-up for my day.

The Battery Cafe (Rebecca Jennings/The Muse)

If the lunch and caffeine weren’t enticing enough, The Battery Cafe also hosts weekly events.

These include jazz nights, local art showcases, and open mic performances, which typically run between 7 and 9 p.m so you can make it home at a reasonable hour.

The jazz nights take place every Friday at 7 p.m., with tickets starting at $12. For those interested in catching other performances, The Battery Cafe’s website features an updated schedule of local artists and acts.

Another unique touch is the cafe’s curated Spotify playlist, featuring songs by musicians who have performed there, bringing the spirit of the venue to life even outside its walls.

Inside of Battery Cafe, where many events take place weekly (Rebecca Jennings / The Muse)

They also offer “Behind the Bar” Barista training for those interested in developing their own coffee-making skills.

Courses are offered in person at the cafe from October through May, educating coffee lovers on how to perfect their cup for on-the-go or at-home enjoyment.

The cafe also features a dog-friendly patio, complete with a walk-up window, allowing runners and hikers trekking up Signal Hill to refuel without disrupting their route.

Overall, the Battery Cafe offers more than just great coffee and lunch. The friendly staff, nice location, and focus on supporting local artists make it a standout spot in the city. Whether you’re stopping in for a quick coffee or staying a while to study or take in the atmosphere, it is clear that the cafe values community as much as quality food and drink.

Sea-Hawk women’s soccer team place second at AUS Soccer Championship

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This past weekend the AUS Soccer playoffs took place, where the Memorial Sea-Hawks women’s soccer team went on a thrilling run all the way to the AUS finals.

Women’s team defeats Acadia in close quarterfinal matchup

In the lead up to the AUS Soccer Playoffs, both the men’s and women’s soccer teams had a final two-game home stand against StFX.

The women’s team had already clinched a playoff spot, and were fighting for a second place finish in the AUS, which would have given them a bye straight into the Semi-Finals.

Had they managed to beat StFX in both of their games, Memorial would have guaranteed their spot in the semis, however, they were unfortunately unable to beat StFX in either game, tying them both times and instead entered the playoffs ranked as the fourth seed, and facing off against fifth seeded Acadia.

This was a matchup that was tough to predict. Both teams only faced each other once during the regular season, where Memorial won a close game 1-0.

Luckily for the Sea-Hawks, it was the same story this time around, pulling out a 1-0 win, thanks to a late 78th minute goal from AUS goal scoring leader Zoe Rowe.

To Acadia’s credit, they did manage to keep pace in this game, out-shooting Memorial 13-6, but it wasn’t enough to beat Sea-Hawks keeper Leana Claude, who made three saves in the second half.

It was a different story for the men’s team, as they entered the final weekend of regular season action with a small two point cushion over Acadia for the final playoff spot, making their final regular season games against StFX crucial, whom they were ultimately unable to beat.

Still, they managed to pick up a tie in their second game, which was barely enough to clinch the final AUS playoff spot, thanks to Acadia dropping their final game of the season.

The Sea-Hawks entered the playoffs as huge underdogs, coming in as the lowest seed and barely scraping their way into the quarterfinals. They were hoping that the third time would against StFX as they ended up playing them for a third straight game

The Sea-Hawks were definitely outplayed in this match, but to their credit, they managed to keep it close throughout the whole 90 minutes. Unfortunately, the one and only goal of the game came from StFX’s Kyle Cordeiro, who scored at the 86th minute, leading to a heartbreaking loss for Memorial.

StFX outshot MUN 14-5, with seven of those shots being on target. MUN keeper Ben Collingwood made six saves in the match, including four in the second half. He is a big reason as to why this match was so close.

Unfortunately for the MUN men, this loss meant that their season was over, despite a valiant effort.

MUN Women stun top-seeded Dalhousie in penalties to advance to AUS Finals

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Sea-Hawks celebrating after Claire Langille scores in penalty shootout, sending them to the AUS finals (Vaughan Merchant).

After picking up a huge win Thursday against Acadia, MUN was in for an incredibly challenging matchup against the Dalhousie Tigers, who placed first overall in the league and had yet to lose all year.

The challenge Memorial was in for showed early in the game, as Niamh Martin Manuel opened the scoring for Dalhousie in the third minute, giving them an early 1-0 lead.

It was a very high shooting even match throughout, and Memorial finally broke through in the second half, when Sarah Jones scored the game tying goal in the 57th minute.

Neither team was able to score again in the 90 minute span of the match, forcing the game to go to overtime, where both the Sea-Hawks keeper and the Tigers keeper had to make some critical saves to keep their team alive, shutting down the opposing teams offences and forcing a penalty shootout to determine who goes to the AUS Final.

The penalty shootout was very close, but MUN was able to pull through, as Claire Langille scored the match winning goal in the fifth round of the shootout to send the Sea-Hawks to the finals.

Sea-Hawks keeper Leana Claude was a big reason why they won this game, and was given player of the game honours after the match.

Memorial falls to Cape Breton in AUS Finals

MUN would move on to the AUS finals to take on defending AUS champions Cape Breton Capers.

These teams faced off twice back in September. In their first meeting, the Sea-Hawks handed the Capers their first loss in over two years in a blowout 3-0 win. The second game saw Cape Breton come out with a 1-0 win.

This was a very even game and could have gone either way. The Capers opened the scoring in the 32nd minute thanks to a Tara Isama goal, helping them take a 1-0 lead into the half.

Entering the second half, the Sea-Hawks wasted no time as Hannah Fudge scored in the 46th minute, a crucial goal to tie the game.

The game remained tied for a large portion of the half, until the 81st minute, when Cape Breton’s Paige Allaby would score what was ultimately the championship winning goal, helping the Capers win their second straight AUS championship.

Walking home: Finding joy, community, and connection one step at a time

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It’s 11PM and you’re leaving the Health Sciences Centre after a long day at your school placement. In classic St. John’s fashion, it is lightly raining and misty.

While you initially hesitate – should I really do this in the rain? Wouldn’t it be better to call someone? – you then make one of the best decisions you will have made today: You zip up your rain jacket, put in your headphones, and start walking home.

Active transportation (AT), defined as human-powered travel like walking, rolling, or strolling, is something I know well. I first heard about AT as a grad student, when I was hungry for a project I could finish before starting medical school.

I quickly memorized my elevator pitch: AT benefits physical, mental, social, economic, and environmental health.

These concrete advantages explain why I’ll recommend AT to future patients and discuss it at conferences; yet they don’t capture what I love about walking.

These feelings can’t (and shouldn’t) be reduced to percentages, which is why I want to share the sheer joy walking can bring and the way it shapes our social and community experiences in the loveliest ways I’ve known.

Running into neighbours is such a joy. Maybe you have little in common, or don’t even know them well enough to know if you do, but nothing makes you feel more at home than recognizing someone and sharing even a brief exchange of words.

Trading a few extra minutes for the joy of these intersecting lives is an exchange I happily make. Travelling on foot with its 360-degree sensory experience strengthens community ties; we’re not just focused on the road ahead, but immersed in the sights, smells, and sounds of our neighbourhoods.

You might notice a cat in a window, the pigeons it’s watching, and an older gentleman feeding them who waves as you pass, alongside another pedestrian witnessing the same scene.

These micro-interactions provide small doses of social connection absent in other modes of travel, and they even help us see people more positively. Our slower pace allows us to take it all in; humans were built for walking, and our sensory systems are too.

Walking shifts our perspective, leading to more favourable perceptions of our neighbourhoods and a deeper sense of attachment.

As someone new to St. John’s, it’s a delight to finally feel connected and recognize familiar routes after years of feeling out of place. Best of all, walking is a great equalizer: You don’t need a driver’s license or a car to fully engage in community life.

More pedestrians also mean more “eyes on the street,” a term coined by walking advocate Jane Jacobs.

Pedestrians create natural surveillance, deterring crime and building trust far more effectively than policing, signs, or threats.

The “neighbourhood watch – all suspicious activity reported” always makes me laugh; who is watching? Most stay indoors, curtains drawn, while I walk home – a privilege, to feel safe enough to do so and contribute to neighbourhood safety.

But the presence of others walking is about more than security. It brings rhythm and life to the streets, a subtle pulse of communal life that strengthens social bonds.

Walkable areas nurture social capital, with higher trust, reciprocity, and civic engagement.

People care more about their communities, whether through small gestures, volunteering, or simply acknowledging one another.

The joy of coincidence

While community ties are important, they are well-documented. In contrast, the joy of coincidence: those fleeting, unmeasurable moments that can’t be captured by numbers or statistical tests.

Even as a numbers-focused researcher, it’s precisely this elusiveness that draws me in.

Walking home late at night from a hospital shift, listening to Hozier under streetlights illuminating the drizzle, feels magical and unmanufactured.

I never know what time I’ll leave the hospital, what the weather will be like (I stopped checking forecasts when I moved to St. John’s 2.5 years ago), or what I’ll encounter along the way.

Coincidence is joyful because it’s unplanned; it gives permission to wander rather than chase efficiency.

On my walks, I’ve seen freshly bloomed flowers, puppies discovering their blocks, sunsets, kids on bikes, old friends reconnecting, and the way pigeons hop on their little legs.

I’ve run into people I know and, when I’ve been especially lucky, walked for some time alongside them.

By moving “less efficiently,” we create the space to notice these small wonders. These discoveries spark creativity or reflection; ideas for research, new diagnostic tests for patients, or simply gratitude for a heart that keeps beating long enough to carry me where I need to go.

Walking is undeniably good for physical and mental health (with medical professionals going so far as to “prescribe” it), as well as for the environment and the economy.

Beyond these measurable benefits lies something less tangible, less scientific, and more memorable: The joy of walking.

Imagine the city we could create if more people walked, engaging with one another, appreciating their neighbourhoods, seeing people more favourably, and slowing down to observe the sights and sounds. In many ways, our city would become unrecognizable.

The next time you have to get somewhere, consider taking the scenic route. Every journey on foot is an act of quiet resistance; vote with your body and see what the world has to offer.

OPINION: Lack of search and rescue services puts Labradorians at risk

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On September 17th, protesters gathered outside the Canadian Coast Guard Sub-Centre in St. John’s to advocate for primary search and rescue services in Labrador.

The protest took place on the four year anniversary of the loss of two fishermen, Marc Russell and Joey Jenkins, who went missing aboard the Island Lady. The protest was organized by the Labrador Coalition for Search and Rescue with support from the FFAW. 

“I just felt I couldn’t sit home another year and commemorate that anniversary without doing something,” said Jeanette Russell, Marc’s mother and founder of the Labrador Coalition, who has been an active voice in the four years following the incident.

I spoke with her on the issues facing Labradorians regarding access to search and rescue services.

The protest came just after the authority for the Canadian Coast Guard had transferred to the Department of National Defense on September 2nd.

“I felt it was time to send a message to the new department having authority for the CCG to let them know we’re not going away, the problem still exists, the Canadian Coast Guard has not done enough to increase the amount of resources available to Labradorians.” 

Labrador has no primary rescue facilities, and only has five fast rescue vessels across its entirety.

This pales in comparison to the search and rescue services found in Newfoundland, consisting of seven lifeboat stations and three inshore rescue craft stations. Russell points out that these are often too far to assist in rescues in Labrador.

“When resources are needed for rescue services, it takes about seven to eight hours for air assets to reach the jurisdiction. That’s too long when we know, as mariners… we’re fully aware of how much time matters and how time sensitive rescue is,” said Russell.

The reason for this is the proximity of the primary search and rescue stations in Newfoundland to Labrador, with the nearest being in St. Anthony. The northern-most community is Nain, over 700km away from the nearest station.

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Location of SAR services in Atlantic Canada compared to Labrador (Labrador Coalition for Search and Rescue)

“When you consider the North Coast of Labrador, especially given that the North Coast does not have a public transportation system, a road system, so they have to use waterways as a primary mode of transportation… the further removed you are from Newfoundland-based search and rescue stations, the more vulnerable you are,” said Russell. 

But the reason for this major discrepancy between services in Newfoundland as opposed to essentially nothing in Labrador is sometimes argued as a financial one.

“That’s the question that I cannot tease out an answer for, it just doesn’t make sense. When you look at every other government service, federal government program, all programs are available in Labrador and some of them are based in Labrador. But when it comes to search and rescue, they just do not want to spend the money in Labrador,” said Russell.

In an interview with CBC’s Ian Hanomansing, Russell was asked why the federal government should be investing in Labrador given the federal government’s financial situation.

But when it comes to resource investments, such as the Churchill Falls project or the mining industry, money is not an issue.

“I know the petroleum board has recently approved exploration for offshore oil in Labrador. I can guarantee that if offshore oil went ahead tomorrow, they would hasten to put search and rescue resources in Labrador to protect that investment,” said Russell.

If the reason for the lack of search and rescues services isn’t a financial one, Russell asks whether discrimination is a factor given Labrador’s high population of indigenous peoples. 

“When you look at such a large geographical area with a high population of Indigenous people, and that’s the area of the country you choose not to invest in public safety, to me it begs consideration of racial profiling and the denial of public services to the most vulnerable people.”

Whether it’s a matter of finances or of discrimination, it’s clear that the absence of these services puts Labradorians at risk.